Interesting, Jan.
Which mic do you use? MKH?? Using MKH, did you hear the same "dramatical"
difference with the new preamp? In what way? Inherent noise?
Which preamp do you use instead?
What do you mean by 5532 and TCD? Is there a 5532 in the TCD-D10?? Don't
believe it...?
5532 / 5534 are noisy and current consuming.
Klas.
At 19:59 2004-07-21, you wrote:
>Sure, who hasnt done the blind tests of MP3, ATRAC and AC3. Our tests
>gave a completely different result. But then, we tested with music so
>the results are not valid here.
>
>My point was that anyone that worry about ATRAC removing to many bits
>from recordings should make up their own mind. And a test is so easy to
>setup you can DIY. Learn to trust their own senses. Never trust anyone
>on the internet judging audio quality for you.
>
>You may call me a golden ear or not but I modified my TCD-D10-II the
>other day (the service manual with schematics was available as PDF from
>getmanual.com). Bypassed those awful mic-pre ic:s. An early morning
>soundscape recording I did here in the scandinavian woods this morning
>was almost dramatically better - I originally planned to make a small
>daughterboard using an AD825 as micpre but the 5532 I still use in the
>TCD seem to hack it alone (at least with MKH:s) ;=))
>
>/Jan L.
>
>
>
>
>2004-07-20 kl. 22.24 skrev Walter Knapp:
>
> > From: jan.larsson <>
> >
> >>
> >>
> >> As you say. There is no denying that ATRAC can do a very good job.
> >> And
> >> there is no idea in denying that the job of ATRAC (and MP3 and AAC and
> >> AC3 ....) involves removing stuff in order to lower the bit-rate. And
> >> it is a good deal of stuff that gets removed.
> >>
> >> If you are unsecure about this then do your own test very simply.
> >>
> >> Use a couple of different tracks of material recorded with PCM. Some
> >> soundscape, some birds, some frogs. Make a digital ATRAC-copy of each.
> >>
> >> Then make a digital transfer back from ATRAC to PCM (a minidisc with
> >> digital output).
> >>
> >> Now you make a CDR with three cd-tracks per original track. The first
> >> is always the original as reference. The other two are the original
> >> and
> >> the ATRAC always in random order.
> >>
> >> Now you can distribute the CDR and people can listen on their own
> >> well-known reference system and try to pick the ATRAC.
> >>
> >> This is very easy to setup. You could even do it as a list exercise as
> >> long as people agree not to talk about it until everybody has reported
> >> their results (that would be the hard part ;=)).
> >
> > Old history, been done many times. Even been done in this group.
> >
> > I managed to work out a pathway that just tested ATRAC. That's not near
> > as simple as it sounds, most such tests test ATRAC and the rest of the
> > recorder, quite a different thing. I took advantage of the exact
> > sincere
> > copying from CD to MD in a Sony MXD-D3 (which is ATRAC 4, a older
> > version) to get around the rest.
> >
> > I provided three part samples, of nature recording subjects, in which a
> > clip was repeated three times. These were random ATRAC or no ATRAC. The
> > group voted on their identifications by listening any way they wished
> > to
> > listen, and were then allowed to analyze it any way they wanted and
> > provide a 2nd vote for that. For those without sonogram capability I
> > provided sonograms that people could consult for the 2nd part. Votes
> > were not posted on the group and people were not to compare notes. On a
> > specified date I tallied the votes received and reported the results.
> >
> > Results, by listening those that participated had very close to a 50%
> > error rate, about what's expected if just flipping a coin to decide.
> > Surprisingly, the correct percentage only rose to 67% when using any
> > analysis they wanted. Including my sonograms, which did show the
> > difference that was common for ATRAC 4, very slight decrease in
> > background noise at frequencies above 16 kHz. These were not associated
> > with any call. They were sounds that were more than 50 dB below the
> > other sounds found in that frequency range.
> >
> > Used to be that test (with the key) was up in our binary area on Doug's
> > site, but it appears it's been removed. Since it was older ATRAC,
> > that's
> > probably appropriate.
> >
> > This result is fairly typical for such tests. ATRAC for some time has
> > been capable of passing that test easily. And it's been improved since
> > then. ATRAC 4.5 does not show near as much decrease in the very faint
> > sounds at high frequencies. You have to go above 18 kHz to find any of
> > it. As far as I'm concerned if that high level is critical you should
> > be
> > using higher sampling rates, nothing doing 44kHz sampling rates does a
> > good job that close to the limit.
> >
> > One of the most amusing things about this sort of test to me is how the
> > "golden ears" crowd run from participating. They are very creative
> > about
> > reasons why their real capabilities should not be tested.
> >
> > Walt
> >
> >
> >
> >
> >
> >
> >
> > "Microphones are not ears,
> > Loudspeakers are not birds,
> > A listening room is not nature."
> > Klas Strandberg
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
> >
>
>
>
>
>"Microphones are not ears,
>Loudspeakers are not birds,
>A listening room is not nature."
>Klas Strandberg
>Yahoo! Groups Links
>
>
>
>
Telinga Microphones, Botarbo,
S-748 96 Tobo, Sweden.
Phone & fax int + 295 310 01
email:
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