For pip an array of 4x 2 (4 stereo recorders eg Sony PCMM10 or Olympus LS s=
eries) may work?
Good Pip and redundancy.
My 2cents...
Who can chime in to explain if/how those 4-sets of stereo tracks can be tim=
e-alligned correctly for proper "surround" reproduction?
It may be necessary to both sync at the beginning and "duration match" I g=
uess? The latter to correct any time-base variations between recorders?
I guess Audacity and the likes could do the trick(s)?
But mayby such an approach is incapable of sufficient accuracy to capture/p=
reserve all intricate timing differences ivolved in 3D audio reoroduction.
Am myself experimenting with ambiophonics (cross-talk elimination) and quad=
rophonic replay of 2x2 stereo (front & rear) ambiophones. So am interested=
in sny /all experiences related to (two) multiple recorders recorded sound=
tracks into one coherent 4- track (durround) audiosignal.
G'Day
Gerrit
On 16 Jun 2016, at 17:24, <> [natu=
rerecordists] <<=
oogroups.com>> wrote:
I am looking for 8 channel portable recorder with phantom power.
I am looking to build a 4 binaural rig consisting of 8 mic's would like to =
power them with 48v or pip.
What direction should I consider?
What hardware would give me 8ch pip or 8ch phantom?
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