Well actually it is not unheard of for mixers to mention a sort of
reverb from sound bouncing around inside a zeppelin...particularly the
Rycotes since they are rigid. I think this would be extremely hard to
discern in a robust natural environment, but I'm not syaing it doesn't
matter.
On the scale of things to worry about, I'd say it's pretty darned low.
Danny
--- In Scott Fraser
<> wrote:
>
> << What is cueing issues?>>
>
> > ...basically 'aiming' I believe.>>
>
> <<So they're saying it's hard to 'aim' the mics in a large zepplin? >>>
>
> No, I believe they are saying that localization in the stereo field
> will be negatively impacted with too much space between the wall of the
> zeppelin & the mic. This sounds extreme to me, but I believe they are
> saying that a sufficiently large amount of air between the capsule &
> the zeppelin boundary would constitute an ambience of its own, thus
> possibly altering the phase & amplitude localization cues we receive &
> rely upon to accurately judge distance & direction, in stereo. I think
> it would be irrelevant in mono. I would imagine it would require an
> enormous amount of space for this to really be an issue, like a couple
> feet, but Rycote must have some experience with this to mention it.
>
> Scott Fraser
>
>
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