Good point, I didn't realize that people might think that they
violate the warranty if they experimented. (I am not sure that I have
understood you correctly, however. )
The package will contain two small tubes for storing the mic's when
they are packed down in a trunk or bag. It will also have a paper
saying something like "do not bend, twist or otherwise use force on
the capsules under the nylon mesh."
I really look forward to see what kinds of barriers and other gears
that people invent to make good recordings with these capsules!
Klas
At 12:23 2010-03-28, you wrote:
>Klas,
> re: barrier,
> Depends the packaging options, if the end user is not going to
> open the clips take the wrapping off to expose the omnis in order
> to place them near a barrier perhaps an alternative may be offered
> for those that wish to experiment? Altering the packaging from your
> original to such an extent may void any warranty you offer.
>
>Ive not found any reason why they would not sound fantastic if they
>are near a surface other than the need for post EQ or alteration to
>the response - it depends on the barrier.
>
>Heres similar capsules used in a different boundaries:
>http://www.urlme.net/blog/?p=3D1213
>
>An example of how mine sound in urethane ears after EQ can be found
>in this article:-
>http://www.urlme.net/blog/?p=3D1307
>
>Or a nature recording:
>http://www.urlme.net/blog/?p=3D1297
>
>or Log spiral plate:
>http://www.urlme.net/blog/?p=3D1150
>
>or in my ear:-
>http://www.urlme.net/blog/?p=3D1096
>
>Its always possible to create EQ curves for a dummy head bringing them
>to free field similar to large diaphragm condensers:-
>http://www.urlme.net/blog/?p=3D1053
>
>Or to add deliberate 'interference' structures around them to boost
>key frequencies, after such increase in sensitivity the hiss in this
>example at 7khz all but vanishes once inverse EQ is applied bringing
>the mic back to free field. (or diffuse if you prefer that):-
>http://www.urlme.net/blog/?p=3D1032 (as used by Gordon Hempton)
>
>Maybe if the intended use is in DIY gear I would strongly urge you
>to offer them for such purpose even at premium prices? Im sure a lot
>of recordists would be very interested in access to these capsules
>and would be willing to beat a path to your door. The increased
>interest would also highlight attention to your other products which
>is a win win situation.
>
>Kind Regards
>Mike.
>
>
>
>--- In Klas Strandberg <> wro=
te:
> >
> > Yes, more or less, but I especially mean if you use them in a
> pressure zone.
> >
> > There are no better omnis on the market (high output, linear freq.
> > resp. and low self noise) running on Plug In Power if you use them
> > "open". Which effect you get when you use a Jecklin disc, SASS, a
> > tree or your head, will be up to your own taste and DIY skill.
> > However, I think you are perfectly safe (saving the excellency) if
> > you use them with a Jecklin disc some 2-300 mm from each other.
> >
> > Klas
> >
> >
> > At 23:09 2010-03-27, you wrote:
> > >Klas,
> > >
> > >The clip ons are likely to be used by folk in binaural head and
> > >jeklin configurations, so does this qualify as a 'surface close to
> > >them' ?
> > >
> > >cheers,
> > >
> > >Vicki
> > >
> > >
> > >On 27/03/2010, at 9:22 AM, Klas Strandberg wrote:
> > >
> > > > Hi Vicky!
> > > >
> > > > Other mic capsules, to put it briefly. But in a config like Telinga
> > > > LS10 stereo, the difference is very small.
> > > > The capsules that I use for the Clip-On mic's sound fantastic as lo=
ng
> > > > as you don't have any surface close to them. That is why there is n=
o
> > > > point in using them in a PZM config.
> > > >
> > > > Klas
> > > >
> > > >
> > > >> Vicky wrote:
> > > >>
> > > >> Question for Klas - what is the difference between the LS10 stereo
> > > >> mic that I have, and the new PIP mics?
> > > >>
> > > >>
> > > >>
> > > >> Vicki
> > > >>
> > > >>
> > > >>
> > >
> > >
> > >------------------------------------
> > >
> > >"While a picture is worth a thousand words, a
> > >sound is worth a thousand pictures." R. Murray Schafer via Bernie Krau=
se
> > >Yahoo! Groups Links
> > >
> > >
> > >
> > Telinga Microphones, Botarbo,
> > S-748 96 Tobo, Sweden.
> > Phone & fax int + 295 310 01
> > email:
> > website: www.telinga.com
> >
> >
> >
>
>
>
>
>------------------------------------
>
>"While a picture is worth a thousand words, a
>sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause
>Yahoo! Groups Links
>
>
>
Telinga Microphones, Botarbo,
S-748 96 Tobo, Sweden.
Phone & fax int + 295 310 01
email:
website: www.telinga.com
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