Hi Rob and thanks for participating!
I listened to the shorter file.
Yes, MS and this crazy set up that I tested does not sound the same.
On the other hand I don=B4t think background sound and ambience was the
same either.
The mike was an experiment to be evaluated when I took it to Murie
Center. As Bernie jumped up and down out of happiness when he
recorded the aspen leaves, (even though he said he hated me...) we
made jokes about what we were going to call it and it ended up in MurieMike=
.
It works for some purposes. It runs on the LS-10 PIP, makes some 14
dB(A) noise and is extremely easy to use and reliable. The question
is if it works as a soundscape mike in general?
That is, - does it sound "realistic" enough? Or "nice".
An how can the sound be manipulated by software?
As it is, I tend to judge that high freq. are too separate, like the
rain is to the right and left, but less straight forward. This can be adjus=
ted.
It is extremely difficult to judge over ones own design. Hearing is
too subjective and when you have listened to the same mike a number
of times you get "deaf" both for it=B4s qualities and shortcomings.
Comments from others are invaluable.
Klas.
At 01:04 2009-07-12, you wrote:
>Kevin wrote:
> >I've posted two related podcasts at www.7Loons.com:
> >
> >Lincoln's Sparrow, at the same location as Klas' recording but on the
> >next day, done with a Sony PCM D1 using the built in XY configuration
> >mics -
> >
> >http://www.7loons.com/Soundscapes_for_Birders/Soundscape_for_Birder
> s%3A_Podcasts/Entries/2009/7/5_Lincoln
> >'s_Sparrow_at_Grand_Teton_National_Park%2C_WY.html
> >
> >and
> >
> >Two Oceans Lake, at a very near location with SD 722 and Sennheiser
> >30/40 MS pair -
> >
> >http://www.7loons.com/Soundscapes_for_Birders/Soundscape_for_Birder
> s%3A_Podcasts/Entries/2009/7/8_Two_Oceans_Lake,_Grand_Teton_NP,_WY.html
> >
> >Kevin
> >www.7Loons.com
> >
> >
> >On Jul 10, 2009, at 7:52 PM, Klas Strandberg wrote:
> >
> >>
> >>
> >> I sent two soundscape files to
> >>
> >> http://www.telinga.com/gallery/gallery_private.htm
> >>
> >> Klas.
> >>
> >> Telinga Microphones, Botarbo,
> >> S-748 96 Tobo, Sweden.
> >> Phone & fax int + 295 310 01
> >> email:
> > > website: www.telinga.com
> >>
>
>
>Hi Kevin & Klas--
>Thanks for sharing the samples, fellows. I took
>Klas's Two Ocean's_Lake_Short.mp3 and Kevin's Two
>Oceans Lake, WY 090623.mp3 and cut back & forth
>between them on a movie timeline. Not scientific
>but it could help make some of the differences in
>the micing systems more evident. Rob D.
>
>https://pantherfile.uwm.edu/type/public/media/KlasBinaural_Kevn'sM-S_Sor3L=
rgSz.mov
>Its large (20mb) and a QuickTime move. (Sorry about that Klas.)
>
>Here is the same comparison as just a mp3
>starting with Klas' binaural rig and alternating
>back and forth with Kevin's MKH 39-40 M-S Rig.
>
>https://pantherfile.uwm.edu/type/public/media/KlasBinaural_Kevn%27sM-S.mp3
>
>Rob D.
>--
>
>
>
>------------------------------------
>
>"While a picture is worth a thousand words, a
>sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause
>Yahoo! Groups Links
>
>
>
Telinga Microphones, Botarbo,
S-748 96 Tobo, Sweden.
Phone & fax int + 295 310 01
email:
website: www.telinga.com
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