Hi Vicki,
can you tell us the model of yuor open air headphones, or an equivalent item?
Thanks!
Marco
--- In vickipowys wrote:
>
> There are two schools of thought on this one, I prefer the simpler
> option of $20 open air headphones as all I want to know is that the
> signal is recording OK. I also like to be able to flick the
> headphone volume to the off position and to be able to hear what is
> happening around me without removing the headphones. Studio
> listening is a different matter. Option 2 of closed headphones in
> the field makes me feel claustrophobic and disoriented.
>
> Vicki
>
>
>
> On 04/02/2013, at 11:15 AM, shooze53 wrote:
>
> > Hello all,
> > I need some advice please, I recently purchased a DR-100MK2 to do
> > some field recording and am now looking for headphones to match the
> > recorder. I am considering the MDR-7506 phones, and from what I
> > read, these are industry standard for live recording application.
> > Am I on the right path here? I notice the impedance of those
> > phones and recorder are unmatched, but is that really an issue?? I
> > will also be using these in loud environments as well to monitor
> > audio I am recording (live music), and hope the amp in the Tascam
> > is sufficient to drive the Sony phones to full fidelity?!
> >
> > Any advice would be most helpful - I have a budget around $100.00
> > for the new phones.
> >
> > I have a pair of Sennheiser HD433's that I use for general
> > listening, but they are not sufficient for monitoring in the field
> > due to boosted bass response and open air design.
> >
> > Thanks in advance,
> > Scott
> >
> >
> >
> > ------------------------------------
> >
> > "While a picture is worth a thousand words, a
> > sound is worth a thousand pictures." R. Murray Schafer via Bernie
> > Krause.
> >
> > Yahoo! Groups Links
> >
> >
> >
>
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