adding a 2n k66 would be great and you can maintain the directionality of
shotguns.... I like recording with two K66 with a V of about 30 degrees
with a spacing, measured at the frontal grid of 18 cm to also have some
binaural effect.
I like them connected to a SD 722 but they are also great connected to a
Sony M10.
Any comment on this setup ?
Gianni
2012/1/21 David Darrell-Lambert <>
> **
>
>
> Thanks for the David, if were to look at replacing my 66s with a stereo
> mic what would replacement?
>
>
> David Darrell-Lambert
> Bird Brain UK
> Suite 11908, 2nd floor
> 145-157 St John Street
> London EC1V 4PY
>
> Mobile 07977 407 550
> Mobile 07500 373 256
>
>
> www.birdbrainuk.com
>
> On 21 Jan 2012, at 15:47, "Avocet" <> wrote:
>
> > > I was talking to a radio presenter the otherday who suggested I
> > > could convert my recordings from mono to sterio. Does the work well
> > > and is it easy to do?
> >
> > David,
> >
> > In short no and no. When stereo first came out there was a rash of
> > discs "doctored for stereo", but this was music.
> >
> > Methods include splitting the music up into frequency bands and
> > processing these for left and right, and adding stereo reverb. Adding
> > out of phase elements will also give a "space" effect which some
> > people mistake for stereo. It's like colouring up a monochrome photo -
> > it may be possible but is it valid?.
> >
> > What you can never get from a mono recording is placement of wildlife
> > sounds like a group of birds, or to follow a bird's movement.
> >
> > You can of course mix two or more recordings using panpots and create
> > a spread stereo image but that is really not what nature recording is
> > all about.
> >
> > David
> >
> > David Brinicombe
> > North Devon, UK
> > Cogito cogito ergo cogito sum - Ambrose Bierce
> >
> >
>
>
>
>
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