Thanks, Danny.
It's lookin' like I'm gonna have to step up and do something like the D50. =
I had thought about the M10, but since these recordings will be a commercia=
l product, I need the best audio I can get.
I appreciate your help. Since you have the D50, maybe you can field this on=
e as well. I've heard that such recorders---the Olympus LS-11, Sony M10 and=
D50---produce "CD quality" sound with the on-board mics. Do you have an op=
inion on that?
Thanks
--- In "dannymeltzer" <> =
wrote:
>
> I have a Sony PCM D50 and think the mics are quite good.
>
> If cost is no object I am sure the mics on the Nagra ARES MII are pretty =
good.
>
> --- In "scratchpaws" <scratchpaws@> wro=
te:
> >
> > Alas, I've been reading the site looking for advice on a field recorder=
with good on-board mics, and the more I read the more confused I get.
> >
> > This is complicated stuff, and I'm bogged down in dbs, bass drop off, n=
oise floors, + and -, and the physics of sound. If someone can help me I'd =
certainly be most appreciative.
> >
> > I'm trying to keep it simple: I need a professional field recorder on t=
he order of the Olympus LS-11 or the Sony PCM-M10 that has the best on-boar=
d mics for recording natural ambient sound in wilderness areas. I'm far mor=
e interested in recorded sound quality than any other consideration.
> >
> > Can anyone help me?
> >
>
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