Hi,
Waveeditor uses the Izotope resampler. You can also load files with
different sample rates and work on them direclty. Ive spent an hour just using
Amadeus Pro - its very good I like the real time recording and spectrogram
modes. The plug in architecture is different from wave editor. Hence a chain
plug-ins doesn't seem possible, looks like the plugin in opened, configured
followed by preview - then the effect is applied directly to the file. I could
be wrong there given the short time Ive spent with the app. Waveeditor differs
in this regard you can keep adding plug-ins to a layer or master layer to build
up the final sound - very handy since visualization plugins are also active in
the chain, when it all works that is :-)
Back on topic:-
Heres a baffled ducted sphere Ive made. Rob Danielson has been very kind in
providing feedback and suggestions during its construction.
Ive made a couple of these rigs as explained in the blog:-
http://www.urlme.net/blog/?p=870
http://urlme.net/bl/DSCF2891.JPG
Shows the interior "blue print"
For resampling you could use SoX rather than a plug-in.
It requires some command line kung-fu, but that could be automated with
automator to a drag and drop action (Id hope).
http://en.wikipedia.org/wiki/SoX
BR,
Mike.
--- In "justinasia" <> wrote:
>
>
> > Due to the issues ive had with wave editor Im glad Rob posted the link to
> > Amadeus Pro! Another candidate to try...
> >
> > BR,
> > Mike.
>
> Thanks guys. But what about converting 24 bit files to 16 bit? I thought one
> of the special things about Wave Editor was that it had a good way to dither
> and convert to 16 bit quietly. I searched the Amadeus Pro manual (and their
> site) for "dither" and found nothing. So can it not dither? Does that mean we
> need to buy something else (Wave Editor?) to use as well as Amadeus Pro, or,
> is it another case of getting a plugin?
>
> Glad you like the tree rig. It's extremely light. I also just tested it in
> quite a reasonable breeze, and was happy to discover the speaker cloth is
> enough to stop the wind noise, without even the little black foam covers on
> the end of the mics - so that lets the mics lay flat against the wood,
> maximizing the boundary effect.
>
> Justin
>
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