Hi John,
I think myself and many others in the group would benefit
from the topic being further discussed. I've often thought about how
best to chop out an undesired sound in my recordings and be able to
crossfade at that point , to continue the longer recording with
things still sounding continuous and natural. I've always broken
recordings up into smaller tracks at the point of the chop, in the
past. It looks like using the editing software is an art in itself,
not unlike a studio recording mix, and certainly a technique of it's
own. I can't contribute much myself at this point, but stand to
learn by members continuing this discussion.
Regards,
Bill
--- In "John Hartog"
<> wrote:
>
> Hi Bill,
> Even though the immediate issue for you has faded out, I think it is
> still a topic worthy of fading back in for further discussion. For
> instance, how separated in the natural time line can two sections of
> recording be before an invisible crossfade becomes deceptive?
>
> For albums, I usually address the issue by inserting a new track at
> each crossfade and labeling each track with the date and time.
Though
> I may have chopped out several circles of a circling fly and also
the
> second close-up merganser burp (that sounded to human) on one album
> without mention.
>
> John Hartog
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