Thanks Allen, the ORTF is more pleasing to my ears as well. In
general it's my favorite way of capturing soundscapes. Against the
advice of some on this list (including my own advice to others) I use
Schoeps for my nature recordings. The for my ORTF recordings, I find
that the MK21 capsule (sub- or wide-cardioid) gives me a nice wide
soundfield.
--greg weddig
Baltimore, MD
http://www.ourmedia.org/user/627
http://home.earthlink.net/~gweddig
--- In "Allen Cobb" <> wrote:
>
> FWIW, I thought the spatiality of the ORTF was much more
> "complete" and pleasing. The bird flapping across was
> wonderfully smooth. (Comments are for headphone listening.)
>
> ac
>
> ashtangakasha
> http://timbreproductions.com
>
>
>
> -----Original Message-----
> From:
> Behalf Of Greg
> Weddig
> Sent: Tuesday, April 18, 2006 9:48 AM
> To:
> Subject: [Nature Recordists] Re: Mid-side techinique with studio
> mics
> (Now Blumlein)
>
>
> Thanks for all of your positive comments on the Blumlein
> samples.
> These are raw recordings with no processing. It was more an
> experiment to see how Blumlein held up in a wide open
> soundfield.
> One of the problems I encoundered was finding a windscreen to
> work
> with this temporary arrangement. As it was I wrapped open cell
> foam
> around the heads and got lucky the wind was light that morning.
> Dan
> Dugan may have a picture of the mounting scheme I used.
>
> Otherwise here is an example of what I did
> <www.schoeps.de/E-2004/ums20.html>
>
> For reference a short ORTF recording from later the same
> morning:
> <http://home.earthlink.net/~gweddig/SierraORTFMD102Trk5.mp3>
>
> --greg
> Baltimore, MD
> http://www.ourmedia.org/user/627
> http://home.earthlink.net/~gweddig
>
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