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Quality sound from digital video cameras

Subject: Quality sound from digital video cameras
From: Rob Danielson <>
Date: Thu, 2 Mar 2006 09:01:44 -0600
Hi Marc--
Greg provides a very interesting assessment of the Sony camcorder pre 
weakness. Also encouraging to learn the BBC is behind the mod! 
http://www.gregjwinter.com/modification2.htm. A 13dB lessening of 
noise and increase in headroom seems very substantial. I know a few 
videographers who strap a HiMD and Rolls onto their camcorders for an 
awkward, "double-system" work-around now. Low noise performance in 
camcorders could make one much more interested in the 12bit 4 channel 
recording offered by recent models. Rob D.

At 7:14 PM -0500 3/1/06, Marc Myers wrote:
>Hi Rob
>When the Sony DV camcorders were evaluated by the BBC some years ago,
>the picture was deemed OK for broadcast but the audio was not. They made
>a modification which then require an outboard preamp or mixer. The mod
>is available through Greg Winters
>http://www.gregjwinter.com/modification2.htm.
>The web page explains what's done but once the mod is made you switch to
>line in and bypass the audio circuits of the camera almost entirely. If
>you are using the VX2000/2100/PD150/170, its the ultimate improvement in
>audio.
>
>You do then need a good preamp or mixer. In practice, the Beachtec is
>not horrible. I agree a Rolls or a Soundcraft are better devices.
>Marc
>
>Rob Danielson wrote:
>>  At 6:57 AM -0500 3/1/06, Marc Myers wrote:
>>
>>  <snip>
>>
>>   >  you are better off
>>   >recording audio on manual using the line input and controlling the sound
>>   >with a good quality preamp like the Soundcraft or Beachtec products.
>>   >These portable preamps also offer phantom power, a real advantage.
>>   >>
>>
>>  Hi Marc--
>>  I've also been surprised by the poor noise performance of some of the
>>  Sony camcorder mic pres-- especially with the older, VX-2000 model.
>>  Yet, the engineers at Sony built high quality into their very
>>  inexpensive HiMD audio recorders showing there are  factors beyond
>>  price paid.  I've  been surprised at both good and poor results with
>>  Panasonic and JVC camcorders so I'm not not ready to make
>>  generalizations about pre quality being better with certain brand
>>  names. The specs on the newer model Beachtek preamp I was looking at
>>  the other day seemed quite noisy, no better than -100dB signal to
>>  noise as I recall. I believe the most popular  Beachtec unit (for XLR
>>  balanced->unbalanced stereo miniplug applications)  uses the ~1.7
>>  volts from the camcorder's power in plug (PIP)-- a tall order in
>>  delivering adequate, steady power. We have about six of these which
>>  we are now replacing with Rolls BP-244 units.  If one has phantom
>>  mics with low self noise, using an Art Phantom II or Rolls PB244 for
>>  phantom portable powering, one should be able to obtain quality
>>  matching that of all but the most expensive portable pres. That's
>>  where I'd start if trying coax better audio performance out of one's
>>  camcorder-- but, as usual, one must invest first in low noise mics,
>>  about 14dBA self noise might be a good target.  Rob D
>>
>>
>>   >
>>   >>
>>   >>  Is it possible to record high quality sound from the
>>   >>  newer 16-bit digital video cameras?
>>   >>
>>   >>  I recorded this with a Panasonic DVX-100A using the
>>   >>  stock microphone. The audio is uncompressed, exported
>>   >>  from Final Cut Pro.
>>   >>
>>   >>  http://www.jake-richardson.com/videotest.htm
>>   >>
>  >  >>  Jake r.
>---------------------
>  >
>
>




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