Dan:
Yes, that is exactly what I'm thinking of, but with slightly extended
barriers. The SASS nose works fine when just two channels (and two speakers)
are involved. A more substantial barrier seems necessary with the
introduction of two more channels and speakers.
Lang
Lang Elliott, you wrote,
>I have been envisioning a quad setup that really does produce a realistic
>360 degree soundscape, allowing the listener to actually turn in any
>direction and still hear a stable soundfield. This can only be accomplished
>if there are adequate barriers between not only the front and rear channels,
>but also between the right side pair and the left side pair. In other words,
>there actually would be no "front" or "rear" defined in this kind of setup.
>"Front" would be the direction that one faces.
I agree. Your SASS mikes have a "nose" barrier that separates left
and right. How about building a "quad SASS" with four noses?
-Dan Dugan
"Microphones are not ears,
Loudspeakers are not birds,
A listening room is not nature."
Klas Strandberg
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