Dan Dugan wrote:
> Walt, you wrote,
>
>
>>The mic is hooked through the Sound Design MP2
>
>
> Sound Devices (I'm a dealer)
I wish you could train my fingers. I keep doing that when I type without
thinking. Either that or we have to change the company name ;-)
>>to the HHb Portadisc. MP2
>>set at about 5/8 with two lights on steady, Portadisc at 5 with -15dB of
>>attenuation on top of the -15dB attenuation in the connecting cables
>
>>from the pre.
>
> Why 30 dB attenuation? Are you using the mike inputs on the HHB?
The Portadisc has a single set of XLR inputs, which are then settable as
to type in software. Your choices are mic, mic -15dB, mic -30dB, or line
(plus digital). Run on line with no attenuation the MP2's output is just
slightly weak, I end up pushing the gain way up on the Portadisc. I made
up the equivalent of the SD -15dB connecting cables and have found the
best balance while using them is to set it to mic -15dB, or if the
signal is pretty weak maybe just straight mic. I then end up with gain
settings on the portadisc that are midrange. I'm still experimenting
with all this, and it's somewhat dependent on the mics as well. I did
consider setting up a -30dB set of connecting cables. It's all very
provisional at this point, I'm trying a number of ways of setting it all
up to see what works well.
I have since found I have another problem anyway. The MP2 is drawing
quite a bit of current off the MKH110's, drawing down their supply
voltage. I'm going to have to fix that.
Walt
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>From Tue Mar 8 18:22:47 2005
Message: 1
Date: Tue, 08 Oct 2002 15:29:09 +0200
From: "Veljo Runnel" <>
Subject: Re: MSTC 64g
Hello
Many thanks for information about Schoeps/MKH 40. I cannot afford
neither of the mics now but there is a project for which I will apply
and hopefully there will be money for those mics.
I decided that I will definitely go after Sennheiser MKH 40. Problem
in Estonia is that there is little chance to check mics before
buying, the market is very small and dealer (the only pro dealer) has
rarely better mics in storage. So it is really good to have opinion
of very experienced nature sound recordists.
Maybe for a mic with low self-noise (as MKH 40 seems to be) I need a
separate preamp? I use Portadat. Some articles say, that Portadat has
very good preamp, but I still wonder whether I should use line input
with decent separate preamp.
All best,
Veljo
-----------------
Veljo Runnel
http://www.elfond.ee
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>From Tue Mar 8 18:22:47 2005
Message: 2
Date: Tue, 8 Oct 2002 07:34:30 -0700
From: Wild Sanctuary <>
Subject: Re: MSTC 64g
...and a further advantage of M/S recordings is the option of
re-converting it back to M/S from stereo (assuming no signal
processing).
Bernie
>Walt, you wrote,
>
>>I've got to gain experience with
>>M/S, but I think it's going to be a important part of my arsenal. So I'm
>>going over any info I can get. I'm assuming for future processing that
>>it's best to set the gain for each mic for optimum recording and adjust
>>later? Rather than trying to record to optimize for a future stereo
>>field by using the headphone monitoring, but still recording the signals
>>without decoding?
>
>I would monitor decoded to stereo, and set the levels so that it
>sounds good. Sure, the meter is going to read lower on the S channel,
>but I think the advantage of having something that you can just
>listen to outweighs reduced s/n in the S channel, which, after all,
>is going to be mixed at a lower level anyway. For the same reason, I
>wouldn't say you'd be wrong to decode an M/S mike to stereo for
>master recording! As long as the recording is noted that it was
>recorded with an M/S mike, it's easy to re-process it for more or
>less width in a workstation, and you would have the advantage of a
>listenable archive.
>
>-Dan Dugan
>
>
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--
Wild Sanctuary, Inc.
P. O. Box 536
Glen Ellen, CA 95442
707-996-6677 tel
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http://www.wildsanctuary.com
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