Matthias,
Rob's PBB2 plans can be found at http://tinyurl.com/2c6xrcm
Also search the list, I think Paul had some good findings with regard to la=
rge vs small diaphragm microphones.
Recently Ive used ears in a blimp and additional structures in the blimp fo=
r pseudo binaural recording, minus the bulk of the head. PRBTFWEB - Pinna r=
elated blimp transfer function with extra bits.
I'd try Rob's PBB2 rig as linked above, I also recall some discussion on a =
simplified & lighter version using yoga foam blocks - not sure of the outco=
me on that one - lost track.
BR
Mike.
--- In "Matthias Eberl" <=
..> wrote:
>
> Dear list,
>
> I'm working as a multimedia journalist in germany and I'm just beginning =
to understand the
> vast field of stereo recordings. Two years ago I first stumbled over the =
fascinating recordings
> possible with the Curt Olsons Rig and its similiar companions and since t=
hen I'm thinking
> about building my own stereo rig. Now I had a lucky opportunity and in so=
me days I will be
> the owner of a matched pair omnidirectional Sennheiser MKH-8020.
>
> Any advices, which configuration I should take as starting point? I'm ver=
y impressed by the
> actual winged Curt Olson Rig, but also thought about doing a jecklin disc=
(like Matt Blaze) or
> follow David Michaels Foam Ball Experiments.
>
> http://www.trackseventeen.com/mic_rigs.html
> http://www.crypto.com/audio/soundscapes/
> http://soundcloud.com/dmichael/sets/stereo-array-testing-mkh3040-at4022
>
> The rig will mainly be used for recording urban and interior soundscapes.
>
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