I have one MKH 110 mic. After consulting with the group, including a lot
of help from Walt. I ended up
going to my local Accent Music store and had a power supply built from
the spec's. Walt and Sennheiser
gave to me. It cost me about $75.
I am electrically challenged, but the schematic did seem quite simple.
I'm sure that someone with the
least amount of electrical background should be able to put a power
source together quite easily.
I'm certain if you check out Walt's web site you will find the wiring
schematic he included with his
SAS/MKH 110 page. That drawing is most helpful.
The cable needed for the mic is another matter. I was lucky enough to
have one included with my mic.
The wiring for the cable is very important and is also on Walt's drawing.
After all is said and done, the mic does a beautiful job and is well
worth the effort.
Good luck,
J Young
Tom Thorley wrote:
>Hi all,
>
>I made a post a few weeks ago about a pair of DPA omni's I have just bough=
t,
>about whether they were well matched enough. Thank you for all your respon=
ses
>you have allayed all queries - time to get out there and put them into act=
ion.
>This post is one asking for the experience of those who have employed omni=
s in
>a stereo rig before.
>
>1. Spacing - how far apart (interested in whether you tend to used fixed
>spacing or need to change to suit the location + what results/artifacts ar=
e
>obtained with various different spacings)
>
>2. Angle - do you mount them forward firing or angled out (if so at what a=
ngle)
>and what are the different results obtained by using different angles.
>
>3. Practical - what is the best way to mount them. Should it be a fixed
>mount/one with variable angles/lengths re. qq. 1+2. If it needs to be vari=
able
>does anyone have any suggestions for a setup based on a tripod and two ryc=
ote
>windshields for a stereo bar that might be attatched to a tripod with it's
>screw and then have slideable/angleable (easily used in the field and
>recallable if I like a particular setting for a particular location) mount=
s
>with the appropriate thread for rycote's. (the DPA bar besides being very
>expensive does not have the right threads and is designed for indoor use).=
I do
>not have access to a machine shop.
>Are there any other solutions that you might recommend?
>
>4. Technique - My thoughts are to go for a spaced pair technique (I alredy=
have
>a really nice binaural setup) are there any other techniques that anyone f=
eels
>I must try before settling on the spaced pair setup?
>
>I would be very grateful for any suggestions and eagerly await your respon=
se's
>
>Lastly a brief one for Walter or anyone else with experience of the Sennhe=
iser
>MKH110. I do not have a background in electronics but I understand it is n=
ot
>phantom/T powered is there a readily available commercial solution to powe=
ring
>it? If not I would be incredibly grateful for an idiots guide to powering =
this
>mic.
>
>Thank you all,
>Tom
>
>
>
>
>
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>=20
>
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