Subject: | Re: Suggestion for a good book for novice recordist |
---|---|
From: | madl74 |
Date: | Thu Oct 30, 2014 7:52 pm ((PDT)) |
> The idea of intentionally overloading comes from motion picture experienc= e, where gunshots and door slams sounded more real when recorded on the Nag= ra with the meter needle banging the stop. Dan, In 1972 I found myself in the Yukon deep in snow filming a BBC drama "The Mad Trapper". The regular recorder used those days was a Nagra 3 which couldn't be winterised, so I used a miniature Nagra SN under my cold weathe= r clothes. We had the inevitable shootout finale but the SN limiter caught each bang very efficiently, followed by silence, and then the reverb rushing back after about half a second. It sounded more like a champagne cork, followed= by the champagne, so we gave up and dubbed in the standard "kshew kshew" from the studio gunshot generator. PS. I bought the SN plus its custom made mixer from the BBC Film Unit when = I retired in 1992 and I still have it. David Brinicombe |
Previous by Date: | Re: single XLR to dual XLR cable, Gianni Pavan |
---|---|
Next by Date: | Re: Suggestion for a good book for novice recordist, john_hartog |
Previous by Thread: | Re: Suggestion for a good book for novice recordist, Scott Hughes |
Next by Thread: | Re: Suggestion for a good book for novice recordist, john_hartog |
Indexes: | [Date] [Thread] [Top] [All Lists] |
The University of NSW School of Computer and Engineering takes no responsibility for the contents of this archive. It is purely a compilation of material sent by many people to the naturerecordists mailing list. It has not been checked for accuracy nor its content verified in any way. If you wish to get material removed from the archive or have other queries about the archive e-mail Andrew Taylor at this address: andrewt@cse.unsw.EDU.AU