Heh, I suspect that may be proof one has to adapt to sonic peculiarities
*and* the requirements of the client.
Frank's no fool -been at it a very long time and (I believe), served a long
tenure with CBC.
I'm not crazy about the final results myself -spatially. It's always
interesting to see how other folks work, though.
Part 2 does indicate they (client?) wanted it clear there were 2 choirs
-that may have lead to some 'interesting' choices.
On Sun, May 25, 2014 at 12:33 AM, Nick Dando
<> wrote:
>
>
> I've been in contact with someone who records professionally, of a simila=
r
> style of music, and he was horrified at the methods used. I must admit th=
at
> I've only had a chance to watch part 1. I'll have to take a look at Part =
2,
> as that is presumably where the distortions are occurring.
>
> Nick
>
>
>
>
>
>
>
>
>
--
Keith Smith - KeithSmith.ca_Freelance Guitarist & Location Recording
Service<http://www.keithsmith.ca>
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