In theory, the perfect binaural mic system resembles your hearing.
A amplitude stereo, M/S for example, is something totally different.
Klas.
At 18:57 2014-01-09, you wrote:
>Hello Klas,
>
>Thanks for your response.
>
>I'm not sure what you mean by the term "phase stereo." Is that the
>same as Mid/Side stereo? I'm a video engineer by profession, so I
>have heard many of these terms, but I don't have enough audio
>background to have a complete understanding.
>
>I am primarily interested in a broad, stereo soundscape recording
>for this particular project that I am producing. However, there are
>a few sounds that I would like to record that originate hundreds of
>meters away across open desert, and it's just not possible to get my
>SASS rig close enough to record a suitably strong signal. I'm
>concerned with coyotes, owls, big horn sheep, etc. At the same
>time, I would like to maintain a stereo recording of the ambient
>sounds in my immediate vicinity, (such as wind, water, other birds
>and animals).
>
>I think what I'm asking for is a Mid/Side arrangement utilizing a
>parabolic di sh for the Mid channel and a bi-directional (figure-8)
>mic for the Side channel. For this particular recording, I would
>not use my SASS rig.
>
>Is that the correct approach?
>
>Thanks,
>Fred
>
>
Telinga Microphones, Botarbo,
S-748 96 Tobo, Sweden.
Phone & fax int + 295 310 01
email:
website: www.telinga.com
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