Any hints for decent compressors?
http://soundcloud.com/urlme/bh8-thunder-and-rain
Is an example of "too loud, and too quiet" due to the dynamic range.
Warning - thunder stikes at the start, drop playback levels.
Binaural content.
-Mike.
--- In "Danny" <> wrote:
>
> Not entirely sure I'd agree with 'don't worry about the levels'.
>
> While I agree nature tracks should generally be given more dynamic range =
than most other types of material, if you put a track on a CD peaking at -5=
0db and someone tries to play it they will find that it is excessively quie=
t [compared to every other CD they own]. Part of mastering is getting trac=
ks to play well together and in a way that you want in relation to other ma=
terial that people listen to. I try not to let [even quiet] tracks ride be=
low -40db. And there is a certain amount of dynamic range [ratio between l=
oudest and quietest levels] that would be too dynamic for most listeners. =
No one wants to raise the level on a quiet track only to have something muc=
h much louder come in and blast them out of their seats.
> There is definitely a use for compression and limiting in certain instanc=
es. In the real world our brains do it for us automatically.
>
> --- In Mark Brennan <markbrennanfineart=
@> wrote:
> >
> > Usually John I dont touch the gain in post, especially if the levels we=
re good
> > at the time of the recording. Sometimes I=C2=A0might push certain frequ=
encies to=C2=A0give
> > the soundscape a better 'composition" in post.=C2=A0For me nature recor=
ding
> > is=C2=A0different than music production. Sometimes a quiet environment =
deserves a
> > quiet approach where as recording something like surf (its power and de=
ep bass
> > sound) deserves an approach that will bring out those characteristics. =
The only
> > thing I would say is pay attention to everything you hear in the field =
and see
> > if you can bring it all out by getting the mics in the right place. As =
for CD
> > production, I dont=C2=A0worry too much about the levels.. the tracks sp=
eak for
> > themselves I guess and as long as you have a consistent approach in the=
=C2=A0field
> > things should be ok. I am sure there are others on the list who=C2=A0co=
uld likely
> > offer more technical advice than=C2=A0I !
> > tks
> >
> > Mark
> >
> > =C2=A0
> > Mark A. Brennan
> > Canadian Landscape Painter - web
> > Nature Recordist - web
> > Follow me on:
> > twitter=C2=A0 facebook=C2=A0 soundcloud=C2=A0 bandcamp
> >
> >
> >
> >
> > ________________________________
> > From: John Carroll <carrolljohnl@>
> > To:
> > Sent: Tue, June 21, 2011 6:51:24 PM
> > Subject: [Nature Recordists] Re: Green Frog Chorus
> >
> > =C2=A0
> >
> >
> > Thanks Mark for the detailed info on your approach to field recording. =
Very
> > helpful. As a relative beginner here, its great to hear details about h=
ow others
> > do it.
> >
> >
> > I wasn't thinking so much about recorder gain as getting the output vol=
ume right
> > in post-processing, for posting on Soundcloud or similar sites on the w=
eb. Final
> > volume of a track would seem to be especially relevant to putting multi=
ple
> > tracks on a CD. Anyway, thanks again for the info.
> >
> >
> > John
> >
> > --- In Mark Brennan <markbrennanfinea=
rt@>
> > wrote:
> > >
> > > Hi John, thanks
> > >
> > > I dont use any cut off filters, either on mics or the Fostex Fr2le, I=
used to
> > > though, but no longer.
> > >
> > >
> > > As for the gain. I usually sit for a few minutes and watch the levels=
before I
> >
> > > start recording but also listen too, I am looking to make the recordi=
ng as
> > > natural as possible. I suppose it comes down to=C3=82=C2=A0what we he=
ar ourselves and
> > >what
> > >
> > > we like. I=C3=82=C2=A0dont like the gain way up,=C3=82=C2=A0for me wh=
en the gain is pushed it
> > >reduces
> > >
> > > the tranquillity of the=C3=82=C2=A0recording and it becomes much less=
what i am feeling
> > >and
> > >
> > > hearing. When i first started I=C3=82=C2=A0used to push the gain in t=
he false hope that
> > >it
> > >
> > > would be a better=C3=82=C2=A0recording (perhaps it is to some ears, b=
ut not to mine!). I
> > >am
> > >
> > > getting better=C3=82=C2=A0at judging what I am looking for.
> > >
> > > So I do use the levels but also my ears, I keep the=C3=82=C2=A0headph=
ones volume at half
> >
> > > and then adjust the overall gain knob on the fostex, first turning it=
up and
> > > then bringing down to the point where I feel it=C3=82=C2=A0reflects t=
he 'soundscape' when
> > >i
> > >
> > > listen without headphones. I only push the gain slightly above what I=
am
> > > hearing. I know there are technical ways to do this, I have spoken to=
Martyn
> > > Stewart and I hope to read some of Bernies stuff on how to accurately=
and
> > > consistently record soundscapes - =C3=82=C2=A0but the=C3=82=C2=A0equi=
pment and our own senses vary
> > >so
> > >
> > > much I=C3=82=C2=A0think we may all differ slightly in our approach. A=
s Martyn says, get
> > >it
> > >
> > > right in the field and it makes life easier in post. I am no expert t=
hough and
> >
> > > am still learning! I think it also depends what you are looking for, =
if it's an
> > >
> > > actual biological record of an eco-system using=C3=82=C2=A0the sounds=
cape then=C3=82=C2=A0there are
> > >
> > > parameters that must be followed, but right now my goals are more to =
generate
> > > interest in the general public about nature and nature awareness, so =
for that
> > > reason, I think i look at it as a bit of an art form right now, but t=
hat may
> > > change as time ticks by.
> > > great question!
> > >
> > > I am sure others on the list would have different ways of doing this =
that suits
> > >
> > > their own ideas and feelings about being in nature. I supose in a nut=
shell its
> >
> > > an expression, from where I place the mics, to where I want to go tha=
t morning
> >
> > > right=C3=82=C2=A0down to what captures my imagination. One thing thou=
gh that is really
> > >key
> > >
> > > is finding the sweet spot. Its like the focal point in a painting. I =
take my
> > > time to do this and move the mics around with the headphones on, list=
ening
> > > intently to 'find' what I think works for me. But sometimes its just =
plain
> > >luck!
> > > Hope this helps
> > >
> > > cheers
> > >
> > >
> > > Mark
> > >
> > >
> > >
> > > =C3=82=C2=A0
> > > Mark A. Brennan
> > > Canadian Landscape Painter - web
> > > Nature Recordist - web
> > > Follow me on:
> > > twitter=C3=82=C2=A0 facebook=C3=82=C2=A0 soundcloud=C3=82=C2=A0 bandc=
amp
> > >
> > >
> > >
> > >
> > > ________________________________
> > > From: John Carroll <carrolljohnl@>
> > > To:
> > > Sent: Mon, June 20, 2011 3:06:43 PM
> > > Subject: [Nature Recordists] Re: Green Frog Chorus
> > >
> > > =C3=82=C2=A0
> > >
> > >
> > > A beautiful recording! You are fortunate to have such tranquil places=
for
> > > recording, free of constant human-generated noise intrusions.
> > >
> > > Would you mind saying more about the array used for the AT4022s? Also=
, do you
> > > use the low-cut filter on the 4022 mics?
> > >
> > > Finally, how do you adjust the final volume level of recordings poste=
d on
> > > Soundcloud? I'm asking because there is a lot of variability (in gene=
ral) in
> > >the
> > >
> > > volume level of nature recordings on Soundcloud. Some people boost th=
e volume
> > > quite a bit while others are very quiet and require the speaker volum=
e to be
> > > cranked way up while playing back. Is there a standard approach to ad=
justing
> > > final volume of nature tracks?
> > >
> > >
> > > Thanks in advance,
> > > John
> > >
> > > --- In Mark Brennan <markbrennanfin=
eart@>
> > > wrote:
> > > >
> > > > A Green Frog Chorus from last night just as the last night approach=
ed.
> > > >
> > > > http://soundcloud.com/wildearthvoices/wetland-dusk
> > > >
> > > > 2X AT4022 (array)=C3=82=C2=A0into Fostex FR2LE
> > > >
> > > > mark
> > > > =C3=82=C2=A0
> > > > Mark A. Brennan
> > > > Canadian Landscape Painter - web
> > > > Nature Recordist - web
> > > > Follow me on:
> > > > twitter=C3=82=C2=A0 facebook=C3=82=C2=A0 soundcloud=C3=82=C2=A0 ban=
dcamp
> > > >
> > > >
> > >
> > >
> > >
> > >
> > >
> >
> >
> >
> >
> >
>
|