Re: low-end phase tweaking

["Rob Danielson"]

I have a lot to learn about acoustics but as best as I can tell, the
slow, amplitude phasing is a function of mic spread timing
differences shaped by local acoustics. I use EQ to attenuate the
pronounced Hz's which lessens the amplitude changes while lending a
dynamic than can improve the sense of depth in the image.  Not too
effective to add delay.  No 6 in  Brian's mic test had a bit of this
effect with the jet, but with close spacing.  If you think about it,
the studio triangle rule still applies because distance between the
mics is quite small for sounds travelling from these distances.   Rob
D.

At 6:15 AM -0700 5/6/06, Kim Cascone wrote:
>  > I used to love ~12-20
>>  spreads between PZM's on walls and corners of
>>  buildings and playing with the low-end phasing
>
>Rob, how do you accomplish the low-end phase tweaking? EQ? Delay?
>

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