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Re: Re:sharp MD models

Subject: Re: Re:sharp MD models
From: "J. Young" <>
Date: Wed, 08 Jan 2003 16:46:38 -0500
I contacted HHB by email about "refurbished" Portadisc units. They 
inturn had these people contact me
about their "B stock" units. These units are like new with a "new" 
warranty. These units are priced at  US$ 995.
For more info contact:
Mark Haynes V.P.
Leo's Professional Audio
5447 Telegraph Avenue
Oakland, CA 94609
phone- 510-652-1553
fax     - 510-652-6575
email  - 
I told Mark that I would give this info to anyone in the group who might 
be interested, so you may use my
name if you like.
Enjoy,
J. Young



oryoki2000 wrote:

>Re: Sharp minidisc recorders
>
>1. Sound-activated recording
>
>...Also called "Syncro" recording, this feature is available on the 
>digital line, analog mic and analog line inputs on recent Sharp 
>recorders. Sony offers this feature only on the digital optical line 
>input. Could be useful in unattended recording situations.  
>
>2. Adjusting the levels while recording
>
>...Sony now offers this feature, but only if you remember to change 
>to the "manual record volume" setting each time you start recording.  
>Without this setting, you have to pause the Sony to make changes in 
>record volume.  Sharp has always offered manual control of input 
>level during recording.  I think this is important primarily to rock 
>concert-recordists, since the volume of the music changes so 
>dramatically from song to song.  For nature recording, you usually 
>don't need to adjust the levels from the settings you choose when you 
>first start recording.  Some recordists even make perfectly fine 
>recordings using Sony's automatic gain control, where the minidisc 
>automatically varies the levels.  I think what this means is that the 
>levels don't vary much from the original setting. 
>
>3. Input issues
> 
>...A few inexpensive minidisc recorders (Sony MZ-N505 and Sharp MD-
>MT180) lack mic-level analog audio input.  All other minidisc 
>recorders offer mic-level analog inputs as well as analog and digital 
>optical line inputs.
>
>...If you want to use higher quality mics there are two issues.  The 
>consumer-grade minidisc doesn't provide the 48 volt phantom power 
>than many mics require.  You'll need an external power supply of some 
>sort. And the impedence level of the pro mic (typically 150 to 600 
>ohms) is quite different than the impedence of the mic input on the 
>minidisc (around 2000 ohms).  This difference results in recording 
>levels that are very low (that is, very quiet).  You can solve this 
>by using an impedence-matching cable like the Shure A96F ($35).
> 
>4. Ergonomics
>
>...Sony and Sharp have both fallen victim to the "smaller is better" 
>disease in the last two years.  They're trying to make the minidisc 
>player as small as possible to compete with the tiny MP3 players.  
>The result is that you need to have the fingers of a Tokyo teenager 
>to manipulate the controls of most players.  There -- I feel much 
>better now!
>
>5. digital transfer to Mac 
> 
>...No portable consumer minidisc has digital output.  Since you're 
>using a Mac desktop computer, which has a poor quallity analog audio 
>input, your best bet is convert minidisc analog output to USB input.  
>The Griffin iMic ($35) and the Edirol UA-3D ($200) have software that 
>works with the Mac.  The Edirol adds volume controls and a port for 
>headphones so you can easily listen to what's happening during the 
>digital transfer. 
>
>6. Sharp advantages compared to Sony
>
>...The Sharp pre-amp for mic input in current models is reported to 
>be superior to the Sony pre-amp (that is, the Sharp makes better-
>sounding recordings than the Sony when using a mic) by many people 
>who post to Internet newsgroups. It's unlikely you will be able to 
>test this yourself without buying two units and recording with the 
>mics you want to use.  Maybe Minidisco will let you buy two and 
>return the one you don't like.
>
>...The new $290 Sharp MD-DR7 has "time shift" recording.  This means 
>that when the unit is in record/pause mode, the last 5 seconds of 
>input from the mic is stored in a solid state memory buffer.  Release 
>the pause, and this 5 seconds will be recorded to disc.  This is the 
>first time this feature found in consumer-level (read: reasonably 
>priced) gear.  It's a big advantage when recording intermittant 
>sounds like bird song.  No longer will you have to guess when the 
>bird is about to start singing!
> 
>...Recent Sharp models can start, pause, resume and stop recording 
>using the remote control only.  The minidisc unit can stay safely in 
>your pocket.  Unfortunately you still have to look at the unit to 
>check recording levels.  For recording in extreme conditions, you 
>could put the minidisc unit in a Pelican 1020 micro-case with clear 
>top ($16) to keep it dry and dust-free, and run the mic and remote 
>control cables out through a hole sealed with a rubber grommet and 
>silicone.
>
>7. Sony advantages
>
>...US authorized sales, factory repair service.  Many of the most 
>desirable Sharp models are not imported to the US, and the 
>Sharp "factory authorized" repair services in this country are a 
>couple of independent repair shops that mainly know about Sharp TVs.
>
>...Sony portable minidisc units are ready to record considerably 
>faster than Sharp when you change a minidisc.  The Sharp units take 8 
>to 10 seconds to read the table of contents of the disc before you 
>can start recording. 
>
>...Sony automatically adds a time and date stamp to your recordings.  
>This is very convenient.
>
>8.  Pro-quality recorder
>
>...Having read the above, you can see why many recordists who want to 
>use minidisc spend the extra money for a professional model.  The 
>current favorite is the HHB Portadisc (usually about $1400, but a 
>reader of this group reported seeing one for $995 recently).  The 
>Portadisc is large and heavy compared to the consumer minidisc units, 
>but it's portable enough to carry around for field recording, and it 
>solves all the problems described above.  Sometimes you do get more 
>when you pay more.
>
>
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