Like this:
https://www.bhphotovideo.com/c/product/400121-REG/On_Stage_MY200_MY200_Clot=
hespin_Style_Plastic_Mic.html?sts=3Dpi <https://www.bhphotovideo.com/c/prod=
uct/400121-REG/On_Stage_MY200_MY200_Clothespin_Style_Plastic_Mic.html?sts=
=3Dpi>
Some have a greater range of swivel motion than others.
-Dan
> On Apr 2, 2017, at 2:20 PM, [naturerecordists] <=
> wrote:
>
>
>
> Hi Dan,
> Thanks for the reply. Not sure what your mean by clothespin style clamps?=
Got a link for you clamp of choice?
>
> Thanks,
>
> Jason
>
>
> ---In <=
ps.com>, <> wrote :
>
> I use the big clothespin-type clamps for my field mics.
>
> -Dan
>
>> On Feb 22, 2017, at 11:31 AM, Scott Fraser <scot=
> [naturerecordists] < <mailto:=
>> wrote:
>>
>>
>>
>> <<I'm looking at quick release options for microphones in the field. I t=
ried
>> the On Stage brand quick releases, they seem to work themselves loose an=
d
>> introduce noise to recordings.
>> Sound Guys, Triad Orbit, or Ambient Quick Lock systems seem to be the be=
st
>> options. Does anyone have any experience with these?>>
>>
>> I=92ve used the Atlas Sound LO-2B quick releases on all my stands & mics=
in my pro studio for at least 35 years, & never had issues. It appears the=
On Stage device is a clone of the Atlas, so you may not like this option. =
However On Stage makes generally cheaper, crappier versions of everything t=
hat others do better. The stuff from the film industry, whilst looking very=
hardy, also looks needlessly expensive, given the task.
>> sf
>>
>>
>>
>
>
>
>
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