Dear all, this is my first post. First of all thank you very much, I read a=
lot of messages finding many many useful informations.
So, i've just "upgraded" my set up, from a zoom h4+rode nt4 to a fr2-le+2 x=
at4022.
Just a little problem...as suggested in previous posts I'm using the record=
er at, more or less, the 80% of the trim gain and the record level between =
50% and 100%. With these gain setting, using my headphones (sennheiser hd 2=
5), I can still hear the background rumble of the recorder (that at 100% of=
the gain is very audible).
Have you any suggestions about this? Is to remove it by software the only s=
olution?
In the next months I'll need to record very quiet soundscapes for a local a=
udio/video production. In this case that rumble would be really annoying...
Being my first post I past here some infos about me.
Luca Bergero lives and works in Italy. He is graduated in electronic engine=
ering from the Politecnico di Torino and deals with electroacoustic music, =
soundscape and acoustic ecology. He is finishing a training in music therap=
y at the APIM school in Turin for which, in 2011, he will present a thesis =
on the theme "Music therapy and acoustic ecology".
In 2006 he realized " La Fabbrica e la sua voce - trame sonore dell'industr=
ia tessile" (in collaboration with Luca Sigurt=E0), a sound exhibition at t=
he museum La fabbrica della ruota (Pray, Biella).
He cooperates for recordings and sound design with the film director Manuel=
Cecconello in several films. Among them: "Venti" (2003), "Nacquane" (2004)=
, "SIS" (2006), "Beato colui che sar=E0 visto dai tuoi occhi" (2007), "Stro=
logo" (2009).
He developed an experience of music therapy and soundscape at the psychiatr=
ic day center cooperative ANTEO of Biella.
He collaborates with the cooperative Il Mulino in designing and implementin=
g educational activities dedicated to acoustic ecology.
He is a member of the Italian section (FKL) of the World Forum For Acousti=
c Ecology.
Several of his works have been published over recent years by national and =
international labels: Vetri di carta (S'agita recordings, 2003), Pocket Pro=
gressive (Creative Sources, 2005), Le bapt=EAme de la solitude (Petite sono=
], 2005), Free for(m) Rimbaud (AFK, 2005), Preghiera per una stella (AFE, 2=
006), Pipe Smoking on a Balloon (UM/KO, 2007), Erimos (Digital Industries, =
2007), non solo/untilted (Setola di Maiale, 2007), The Wheel (Creative Sour=
ces, 2008), Pipe Smoking on a Balloon (reissue, AFE, 2009), Kapnos (Greyspa=
rkle/AFE/CTRLALTCANC, 2009), Luca Bergero is graduated in electronic engine=
ering from the Politecnico di Torino. He deals with electroacoustic music, =
soundscape and acoustic ecology. He is finishing a training in music therap=
y at the APIM school in Turin for which, in 2011, he will present a thesis =
on the theme "Music therapy and acoustic ecology".
In 2006 he realized " La Fabbrica e la sua voce - trame sonore dell'industr=
ia tessile" (in collaboration with Luca Sigurt=E0), a sound exhibition at t=
he museum La fabbrica della ruota (Pray, Biella).
He cooperates for recordings and sound design with the film director Manuel=
Cecconello in several films. Among them: "Venti" (2003), "Nacquane" (2004)=
, "SIS" (2006), "Beato colui che sar=E0 visto dai tuoi occhi" (2007), "Stro=
logo" (2009).
He developed an experience of music therapy and soundscape at the psychiatr=
ic day center cooperative ANTEO of Biella.
He collaborates with the cooperative Il Mulino in designing and implementin=
g educational activities dedicated to acoustic ecology.
He is a member of the Italian section (FKL) of the World Forum For Acousti=
c Ecology.
Several of his works have been published over recent years by national and =
international labels: Vetri di carta (S'agita recordings, 2003), Pocket Pro=
gressive (Creative Sources, 2005), Le bapt=EAme de la solitude (Petite sono=
], 2005), Free for(m) Rimbaud (AFK, 2005), Preghiera per una stella (AFE, 2=
006), Pipe Smoking on a Balloon (UM/KO, 2007), Erimos (Digital Industries, =
2007), non solo/untilted (Setola di Maiale, 2007), The Wheel (Creative Sour=
ces, 2008), Pipe Smoking on a Balloon (reissue, AFE, 2009), Kapnos (Greyspa=
rkle/AFE/CTRLALTCANC, 2009), Michelangelo Antonioni - Trilogy And Epilogue =
(VV.AA., AND/OAR, 2010).
thank you in advance, have a nice day.
Luca Bergero
"While a picture is worth a thousand words, a
sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause
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