Here are some nature recordings I made with the TetraMic using the
Motu Traveler and Edirol R-44.
http://www.ambisonia.com/Members/cveasey/ambisonicfile.2008-08-29.119370077=
6
http://www.ambisonia.com/Members/cveasey/ambisonicfile.2008-08-29.310657023=
0
-charles
On 8/26/10 12:40 PM, Rob Danielson wrote:
>
> Hi--
> I'd love to hear some samples of the surround
> work people are realizing with these arrays. Rob
> D.
>
> =3D =3D =3D
>
> At 7:10 PM +0300 8/26/10, Marinos Koutsomichalis wrote:
> >
> >
> >There are also the soundfield ambisonics
> >microphones - I' ve work with them outdoors but
> >always not in extreme conditions. I' m quite
> >happy with their sound !
> >
> >I read somewhere though that Chris recently used
> >one in his trip to antarctica..
> >
> >m
> >
> >On 26 =C3=89=C3=BC=C3=89"=C3=89=C2=A1 2010, at 5:51 =C3=89 .=C3=89 ., Be=
rnie Krause wrote:
> >
> >> Four 4060s aligned in a tetrahedral pattern will provide the basis for
> >> ambisonic surround that can be delivered by anything from 3 to over
> >> 150 channels. And, yes, the surround provided by an MKH 30 and two 40s
> >> facing opposite directions (used by Martyn, Chris Watson, and a few
> >> others) provides a wonderful double MS result that can likewise be re-
> >> programmed in an ambisonic configuration. The beauty of the double MS
> >> configuration is that only three channels are needed.
> >>
> >> Bernie
> >>
> >> On Aug 26, 2010, at 6:48 AM, Martyn Stewart wrote:
> >>
> >> > I actually had a chance to use the DPA surround setup on a project
> >> > and was very impressed with them. I'm told they are the same
> >> > capsules as the 4060's. I use normally 2 MKH 40 back to back with 1
> >> > MKH-30 effectively.
> >> >
> > > > Martyn
> >
> > > > Sent from my iPad
> >> >
> >> > On Aug 26, 2010, at 6:19 AM, clay
> >><<dan.cesonrocks%40gmail.com>
> <dan.cesonrocks%40gmail.com>>
> >>wrote:
> >> >
> >> >> On Thu, Aug 26, 2010 at 8:29 AM,
> >>corticalsongs
> >><<corticalsongs%40yahoo.com>
> <corticalsongs%40yahoo.com>
> >> >> >wrote:
> >> >>
> >> >>>
> >> >>>
> >> >>>
> >> >>>> Any thoughts on using surround sound for wildlife? Are the mic
> >> >>>> specs
> >> >>> suited to wildlife?
> >> >>>
> >> >>> I would say that all you need is 4 mics to start. As far as I can
> >> >>> tell the
> >> >>> fancy surround mics are all pretty noisy right now, perhaps thier
> >> >>> intended
> >> >>> use was the concert hall or foley stage. If you are recording a
> >> >>> jungle at
> >> >>> night, they would be fine, but as Dan pointed out, they are
> >> >>> probably too
> >> >>> noisy for most quiet places in North America.
> >> >>>
> >> >>> David
> >> >>>
> >> >>> __._,_.
> >> >>>
> >> >>
> >> >>
> >> >> I was thinking three mics would work, if one were Figure-8, plus
> >> >> front and
> >> >> rear facing cardiods?
> >> >>
> >> >>
> >> >> There is something called a Tetramic that might be useful, but stil=
l
> >> >> relatively noisy.
> >> >>
> >> >>
> >><http://www.core-sound.com/TetraMic/1.php>http://www.core-sound.com/Tet=
raMic/1.php
> >> >>
> >> >> clay
> > > >>
> >
>
> --
>
>
>
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