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1. Re: Microphone cabling

Subject: 1. Re: Microphone cabling
From: "Greg Simmons" simmosonics
Date: Tue Sep 9, 2008 5:43 pm ((PDT))
--- In  "werainey" <>
wrote:

> We have used a lot of Canare L-4ES and left it out of doors
literally for
> years in monitoring ultrasound. It is inexpensive per meter, has
good UV resistance and
> coils easily at low temperature. It has a braided sheath which
seems much easier to solder
> to than some other higher end cables (e.g, Gotham star quad has a
wound double helix
> shield).

This sounds like an excellent application for star quad, and a good
endorsement for permanent outdoors use. Most of my experience with
star quad is with the Canare product range, and it is a very well-
made cable (as are all of Canare's cables). I usually spec it for on-
stage mic cables in touring PA systems, where its rugged construction
is a benefit (after all, it is likely to get stepped on, jumped on,
danced on, twisted viciously by idiot singers who like to play
bullroarer with the microphone, rolled over by roadcases, immersed in
beer-soaked carpet and so on). Plus, with two inner conductors per
pin, there is a bit of redundancy if one of the inner conductors gets
damaged. But it's a PITA to assemble, IMO.

You are monitoring ultrasound... what frequencies and bandwidth are
you working in? And what lengths/distances are you using?


> One aspect of some  cables is that they describe using cotton
filler to reduce
> microphonics. If you nick the jacket (or it acquires non-obvious
rodent bites) the cotton
> tends to wick and hold moisture, so there is  potential for long
term degradation that
> might not occur in studio settings

Interesting observation...

BTW, I'd like to know what it is that makes cables so attractive to
gnawing rodents; it's a problem that's been around for as long as
there have been cables.

And rodents.

Together.

- Greg Simmons




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