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Re: New Sennheiser mic and frogs

Subject: Re: New Sennheiser mic and frogs
From: Walter Knapp <>
Date: Thu, 18 Mar 2004 22:19:46 -0500
> You do want to investigate the newer NIMH batteries, the capacity has
> been climbing significantly. I get nearly 4 hours with the Portadisc
> running off NIMH AA's and that's powering the MKH mics. Though I think
> the minidisc mechanism may use less power than DAT.

Thanks for the tip.

> And you'd have to try wading some of Georgia's swamps to see the other
> problems.

Hmn. I'm not sure I like the idea of that.

> It also has another purpose in that I'd choose it where I have a small
> group of animals close together. I view it both as something for greater
> distance and for narrower fields.

Point taken.

> There is also that the 60 simply has a better sound than the 40 to my
> ear. Probably some combo of it's greater sensitivity and lower self
> noise.

Yes, I have a friend whose mic of choice is the 416 (the short gun that was
the predecessor of the MKH60).

> In comparison I consider the MKH-40 M/S to be about half a circle, and
> the SASS to be about 3/4 of a circle. The MKH-50 must lie somewhere in
> between, maybe 1/3 circle?

The 50/30 combination actually gives you more like 3/4 of a circle - it's a
hypercardioid, with a wider frontal pick-up than the 40 AND a rear lobe
pick-up. There are 2 narrow dead areas rear half back left and the same
right (if that makes any sense??). The rear lobe is out of phase with the
front, so you get a strange effect from something flying diagonally over the
mics - it comes and goes from the same direction. Despite these anomalies, I
just like the sound of this set-up.

Best wishes, Geoff.

Geoff Sample

Wildsong Studios
Northumberland, UK
http://www.wildsong.co.uk

This month's feature on common frogs:
http://www.wildsong.co.uk/monthly_feature.html
.........................

'Music is everywhere if only we had the ears to listen'. John Cage





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"Microphones are not ears,
Loudspeakers are not birds,
A listening room is not nature."
Klas Strandberg
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