Paul Isaacs, you wrote:
>The paint out filtering dsp package you saw at AES was probably a plug-in
>for SADIE called Re-touch designed by Cedar (famous for their de-hissers,
>de-cracklers etc). This plug-in is currently only available for SADIE
>systems, but it is so good its almost worth investing in a SADIE just for
>that one feature. Imagine the perfect notch filter - the ability to remove a
>timbre without affecting wanted overlapping frequencies. I witnessed two
>examples: firstly the removal of a car horn right in the middle of a quiet
>choral passage - absolutely no hole left in the background sound when car
>horn had been filtered, and secondly, the removal of some unwanted
>distortion on a guitar which had been recorded too high causing
>over-modulation. The demonstrator however did say it takes some practice to
>determine exactly which area of the frequency/time window to highlight to
>get the desired effect - but he made it look easy.
That's it! Thanks, Paul. I'm tempted. Reminds me of when I bought
Logic Audio just to use the time-stretcher in it, the best at that
time (before Serato).
-Dan Dugan
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