Been off line and not following events or discussions recently. Has anyone =
on the list used Melodyne, a German-developed software? I=92ve just been ex=
perimenting with it. For those who might not be familiar with it, you can t=
ake a very rich and complex soundscape (biophony), drag the sound file into=
the program, which automatically separates, maps and tracks the individual=
sources. You can then change the occurance or pitch of any component sound=
individually. It=92s really quite flexible and is the most intriguing piec=
e of gear I=92ve seen in quite a while. They=92ve got a free, 30-day trial =
which is worth checking out.
Bernie Krause
Wild Sanctuary
POB 536
Glen Ellen, CA 95442
707-938-5388
http://www.wildsanctuary.com
SKYPE: WildSanctuary
FaceBook: http://www.facebook.com/BernieKrauseAuthor
TED Global talk: https://www.ted.com/talks/bernie_krause_the_voice_of_the_n=
atural_world?language=3Den
> On Feb 23, 2017, at 9:48 PM, Dan Dugan [naturerecordists=
] <> wrote:
>
>
>
> I use the big clothespin-type clamps for my field mics.
>
> -Dan
>
>> On Feb 22, 2017, at 11:31 AM, Scott Fraser <mailt=
o:> [naturerecordists] <=
com <>> wrote:
>>
>>
>>
>> <<I'm looking at quick release options for microphones in the field. I t=
ried
>> the On Stage brand quick releases, they seem to work themselves loose an=
d
>> introduce noise to recordings.
>> Sound Guys, Triad Orbit, or Ambient Quick Lock systems seem to be the be=
st
>> options. Does anyone have any experience with these?>>
>>
>> I=92ve used the Atlas Sound LO-2B quick releases on all my stands & mics=
in my pro studio for at least 35 years, & never had issues. It appears the=
On Stage device is a clone of the Atlas, so you may not like this option. =
However On Stage makes generally cheaper, crappier versions of everything t=
hat others do better. The stuff from the film industry, whilst looking very=
hardy, also looks needlessly expensive, given the task.
>> sf
>>
>>
>>
>
>
>
>
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