Picking up this old thread after returning from Australia and New Zealand:
> I use the Rich Peet technique, imaging array in front (Jecklin for me) an=
d rear channels wide spaced omnis.
>
> One thing I've always wondered about, for lack of a better term, DIY surr=
ound setups is how you monitor in the field whether the image you are produ=
cing is 'correct' or satisfactory, or otherwise not going to cause phasing =
or other issues. I suppose it is a case of trying out multiple setups over =
a prolonged period and eventually settling for a positioning and distance b=
etween the four mics that 'works=92?
I monitor in the field for mic/cable problems, no attempt to critique imagi=
ng or equalization. I=92ll put in high-pass filters when wind noise approac=
hes overload, but otherwise don=92t touch the audio at the acquisition stag=
e.
-Dan
"While a picture is worth a thousand words, a
sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause.
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