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Re: How to get started

Subject: Re: How to get started
From: "Fred Bell" listeningfor1
Date: Mon Jul 22, 2013 8:47 pm ((PDT))
I don't mean to hijack the topic but, how does one go about a longitudinal 
study.  I know that seems obvious, but it would probably includes things that I 
wouldn't have thought of. 

Back to the topic, a local wildlife refuge has listened to my recordings and is 
interested in acquiring some to play in their visitor's center.  (Gratis, 
of-course, but that's fine by me.)

THX.

--- In  Dan Dugan <> wrote:
>
> > I don't have much money, nor do I have much equipment. My equipment is 
> > rather a joke.
> 
> Being in the right place at the right time is more important than the 
> equipment. Publishable recordings can be made with quite economical gear.
> 
> > But I want to figure out how to travel around and record. So I just wanted 
> > to see what worked for others here in this group. What are the paths to 
> > take? Are there grants to apply for?
> 
> Happens occasionally, but rare. See next item.
> 
> > Research stations that need help? Environmental centers? I guess my biggest 
> > questions are how to get funding and how to get to locations.
> 
> Are you in the U.S.A.? If so the national parks need volunteers to inventory 
> and monitor their soundscapes. Make friends with the people in the resources 
> division of a national park. Ask them what soundscapes they would like 
> documented. Start a personal longitudinal study of particular locations. Turn 
> in raw files with documentation to the park. When your cred is established 
> you can get a research permit that allows you to camp in your recording 
> locations. If you work with them regularly, you just might get hired to help 
> when funding for a study comes.
> 
> > Or is this just something that you have to self-fund?
> 
> That's really how it is, 99% for me. I've made a few "relaxation CDs" that 
> bring in a few dollars a month, and justify tax-deducting recording trips, 
> but really my business funds my nature recording.
> 
> There are a few people in the world who do nature recording full-time. Like 
> Chris Watson in England, Martyn Stewart here, Bernie Krause, Gordon Hempton. 
> It takes top skills, dogged determination, the best gear. For most of us it's 
> a great hobby. Art + science + engineering + hiking and camping = big fun.
> 
> -Dan
>








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