naturerecordists
[Top] [All Lists]

Re: Very quiet recordings

Subject: Re: Very quiet recordings
From: "404" quies_still
Date: Mon Jun 4, 2012 3:36 am ((PDT))
sorry about the url; this is the main page http://surface-noise.bandcamp.co=
m/ and the album is by Quies, Stills & Postcards from the Centre...

And yes, near silence can be pleasantly claustrophobic. if anything, it get=
s annoying because there's "nothing" to do :)

I've never been to the Grand Canyon but I'd be surprised if it were really =
quiet. You might be able to get away from humans, but what about "nature" (=
birds, animals, etc) and what about flight paths? Because that's the beauty=
 with the areas in South Australia I went too. It's not just devoid of any =
urban presence, for 100s or even 1000s of kilometers, apart from flies, the=
re's no sound-making animals either...

just a final thought/observation: isn't it fascinating when you find yourse=
lf somewhere that sounds quiet or even silent to your ears, but not to the =
microphones? I'm not talking about loss of hearing etc, but just about the =
built-in filters our ears have to block out "unpleasant" or unwanted sounds=
. Low rumbles, the air sizzling, that kind of thing.
I had it last December in an underground church in Coober Pedy, South Austr=
alia. To my ears it was silent. To my Neumann, however, it was full of low-=
frequency rumble and activity.

Peter

On 04 Jun 2012, at 19:32, soundings23 wrote:

> Fascinating ... I've just posted about how recording quiet reveals as muc=
h about the process as the subject - I too find this interesting. Will have=
 a listen to your recordings later - sounds fascinating (the url isn't quit=
e right but it's findable)
>
> Quiet places as a mirror is also an interesting line of thought. I've exp=
erienced times when near silence often feels strangely claustrophobic, but =
without the unpleasantness. Very odd, but yes, I agree - very alluring. I'v=
e wondered what experiences of arid landscapes are like in terms of quiet .=
.. I recall reading that the Grand Canyon has some of the quietest places o=
n earth, but that doesn't feel right as such a tourist destination?
>
> The quietest places I've experience near where I live are some of the rem=
oter Dartmoor woods on still summer nights. And inside some of the older sm=
all and remote rural churches can also be pretty quiet due to the thickness=
 of the walls.
>
> cheers
>
> T
>
> --- In  404 <> wrote:
> >
> > hi Tony (and Jez and Mark)
> >
> > I'm obsessed with quietness as well. To find a really silent space and =
just sit and listen never tires me. If I try to rationalise it, it probably=
 has to do with how quiet spaces throw you back on yourself. They function =
like mirrors, somehow. Because there's "nothing" to escape in or hide behin=
d, you're left with yourself. Unlike, say, a piece of music, or bird song, =
or dawn chorus, there's simply "nothing" and as far as I'm concerned that's=
 massively overwhelming and powerful.
> > I've been actively seeking out empty and quiet spaces. A search that to=
ok me all the way to the Australian outback and desert, where I experienced=
 near silence. I put together an album with some of my recordings. If you'r=
e interested, it's here: http://surface-noise.bandcamp.com/album/stills-pos=
tcards-from-the-centre.
> > The last 4 tracks are recordings of these spaces. Now obviously, experi=
encing a quiet space is one thing, and recording it something else. It does=
n't take much before we hear the microphone rather than the space. But then=
 again, I find that kind of "failure" artistically very interesting, but th=
at's food for another thread.
> >
> > Peter
> >
> >
> >
> > On 04 Jun 2012, at 11:02, Mark wrote:
> >
> > > Hi Jez,
> > >
> > > I lived with a deaf family for several years during university. It's =
a common misbelief that the deaf cannot hear anything, but on average they =
are living a world of soft booms faint, clicks and muffled voices. While I =
wouldn't wish deafness on my worst enemy, I feel that the lack of distracti=
on helps in developing exceptional skills in listening and the intuition of=
 subtle energies.
> > >
> > > just a few distracted thoughts ^__~
> > >
> > > Mark
> > >
> > > On Jun 4, 2012, at 6:24 AM, "Jez" <> wrote:
> > >
> > > > very quiet recordings (quietudes) have been something of an obsessi=
on of mine for many years. I spend a lot of time recording stillness in bui=
ldings for example. When there are just small sounds to hear we have to mic=
ro/macro listen & that draws you in, closer.
> > > >
> > > > --- In  "soundings23" <tony.whiteh=
ead2332@> wrote:
> > > > >
> > > > > Hi All, just for interest here are two very quiet recordings I up=
loaded to Soundcloud this morning. Both are hydrophone recordings taken yes=
terday near where I live.
> > > > >
> > > > > http://soundcloud.com/tonywhitehead/pond-at-chudleigh-knighton
> > > > > http://soundcloud.com/tonywhitehead/fish-shoal-little-bradley
> > > > >
> > > > > I was in two minds whether to upload them, because they are so qu=
iet. But, I was fascinated because they are so full of tiny detail, especia=
lly the pond at Chudleigh. I also found that I enjoyed listening to them wi=
thout excessively turning up the gain - which just seemed to increase the n=
oise of my Edirol's pre-amp.
> > > > >
> > > > > As I said on the soundcloud page, they make me think of sound wor=
k by the like's of Francisco Lopez, Radu Malfati and Bernhard Gunter .
> > > > >
> > > > > Ages ago there was a review of this sort of quietness in Ed Pinse=
t's Sound Projector magazine where, reviewing Lopez's "Untitled 74" he said=

> > > > >
> > > > > "There's something going on there all right, but what is it? How =
is it possible to record and produce sounds so remote and tiny that you're =
only dimly aware of them? ... No point turning up the volume - that'll only=
 cause more damage - these are fugitive spirits, like fairies of the air wh=
ich will vanish if you draw to near to them."
> > > > >
> > > > > I like that. And I like what the hydrophone reveals of these tiny=
 sound worlds.
> > > > >
> > > > > BTW, while writing this, I felt like I was reviewing my own recor=
dings - which would be odd and not a little arrogant - but I don't feel the=
se are my recordings, I simply dropped the hydrophone in a pond, hit record=
, and listened - so I'm reviewing and sharing thoughts what I heard rather =
than what I did with what I recorded.
> > > > >
> > > > > Be glad of any thoughts on very quiet sounds, or links to anythin=
g similar?
> > > > >
> > > > > Tony
> > > > >
> > > >
> > > >
> > >
> > >
> > >
> >
> >
> >
> >
>
>










<Prev in Thread] Current Thread [Next in Thread>
Admin

The University of NSW School of Computer and Engineering takes no responsibility for the contents of this archive. It is purely a compilation of material sent by many people to the naturerecordists mailing list. It has not been checked for accuracy nor its content verified in any way. If you wish to get material removed from the archive or have other queries about the archive e-mail Andrew Taylor at this address: andrewt@cse.unsw.EDU.AU