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2. Re: what is this creature/sound ?

Subject: 2. Re: what is this creature/sound ?
From: "James Shatto" wwwshadow7
Date: Sat Jul 31, 2010 8:09 am ((PDT))
> --- On Sat, 7/31/10, Marinos Koutsomichalis <>
> wrote:
>
> From: Marinos Koutsomichalis <>
> Subject: Re: [Nature Recordists] what is this creature/sound ?
> To: 
> Date: Saturday, July 31, 2010, 12:33 AM
>
>
> There are some military radars within the greater area,
> but in a distance of several km, if that was the case,
> the other mic should  pick that kinds of sounds I think.
>

Not necessarily.  If you didn't buy them as a matched pair.  Manufactured a=
s part of the same lot with the same materials.  Like if you bought them us=
ed from two different sources at different times.  The mics could be differ=
ent enough to respond differently.  It could be things other than the mics =
as well.  Are you using the same brand of cable with the same connectors, o=
f about the same age?  And various other possibilities with the field recor=
der and stuff.

I've thought about building a faraday type cage for my field recorder and p=
reamps.  Which would double as a rain shelter.  While I'm mostly immune to =
most cell phone handshakes and stuff like that, I have picked up a radio st=
ation at least once.  There was visual contact with the transmission tower,=
 just a couple of blocks away.  Lowering the elevation of the mics helped. =
 Tucking the field recorder under the aluminum bleachers I was sitting on h=
elped.  Even making sure that the 1/4" adapter on the 1/8" tip of my headph=
ones was secure helped.  While it didn't remove the sound from the recordin=
gs in it's entirety, it did achieve a balance where the radio station stati=
on can only be heard when using studio monitors and at a volume that wasn't=
 pleasant to listen at in the first place.

Although the monitoring environment at the time of capture made it seem muc=
h worse than it actually ended up being.  The odd thing was that I almost d=
idn't bring the headphones to monitor with on that occasion.  Now I always =
bring them regardless.  Even if you trust your gear, you never know what yo=
u're recording at the time of capture unless you monitor what you're record=
ing.  Having that immediate feedback lets you know that it's there, and oth=
erwise makes you search for the source.  If you go back after the fact and =
it was a military aircraft carrier at sea, it might not be there anymore.  =
And you'll never be able to replicate the problem.  And always wonder what =
that was.  If it is the mics you might be able to identify if it was just a=
 loose connection or something else easily preventable.  And otherwise corr=
ect the problem on site and get a flawless recording.

It could have also been a bird standing over your mic making noise.  Or bab=
y turtles buried in the sand near by hatching.  Without a visual record or =
being there to investigate, we may never know.

- James










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