Subject: | Re: Choosing the right sampling rate and sample size |
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From: | "David Steinwedel" DSteinwedel |
Date: | Mon May 17, 2010 4:08 pm ((PDT)) |
It's considered best practices (by me, at least) to record at the sampling = rate (or a multiple thereof) used by the final medium. So if you're ending = up on CD, record at 44.1 (or 88.2). If it's film, 48 (96 or 192). You're more likely to get errors when converting between sampling rates tha= t do not divide evenly. Though I will admit, the likelihood of getting such= errors and having them be audible is very low. Higher sampling rates have the advantage of being more manipulatable. They = will sound better when pitched down or otherwise processed. I doubt most Na= ture Recordist readers are too interested in doing such things as, well, we= 're looking for natural sounds. Though if you do want to sell or license to the film/game guys, they (we) m= uch prefer 24/96 for the advanced process-ability of those files. After way more than you probably wanted to know, to "future-proof" your rec= ordings, make them at the highest settings possible. --Dave ______________________________ http://www.dsteinwedel.com/ |
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