At 12:55 PM +0000 4/14/10, Jos=C3=A9 wrote:
>
>
>How to make the best recording sound?
>Best micros, low self noise.
>Best mic preamps, low self noise.
>Best converter analog to digital.
>Best recording bit and sample rate.
>I am one audiphile,(somehow one insane hobby)I
>like music and sound, bird songs and
>vocalisations, naturespaces and the sound of the
>elements and my conscience tells me that the
>mecanical noise each day more agressive.
>I want to reccord the sound for one estetical
>propose and I want thebest setup no compromise.
>Portability is important but not my propose. So
>now I use Two Senheizer mkh 20/40 one apogee
>mini mp in ms stereo,one Jensen Balanced to
>unbalanced transformer,one Edirol R09 line input
>48khz 24 bit. I have One option with one Mytek
>196 stereo AD converter unbalanced mode, and one
>M audio micro track II spdif input 96khz 24 bit.
>Best regards,
>Jos=E9
>
Hi Jose--
Until we have our own Olympic category, it will
be hard to come to agreement about what is
"best," and for several, important reasons. :-)
I personally have concluded that all mics, and
mic arrays have strengths and weakness. None I've
heard so far are close to "perfect" at
documenting the experience I have in the field.
Every time I go out and spend time listening and
setting-up mics, I notice something I have not
noticed before. The tools and techniques at the
very beginning of the recording chain are only
challenged in importance by the end-- hugely
varying "monitoring environments."
This list is great for sharing recordings and
goals. This tends to prompt experimentation and
growth. Your gear looks more than capable. Are
there some qualities in your recordings you'd
like to improve? Rob D.
--
"While a picture is worth a thousand words, a
sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause
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