I mean a technical discussion. I have no plans whatsoever to sell recording=
s.
How would such a recording be best post.processed, to sound good both
in a car stereo, a flatbed television and a small radio in the kitchen?
And in my headphones....
I have no good experience of just simple freq. correction. The sound
gets dead and boring. I am more thinking of some kind of compressor,
which - in a fitting way - would level out a bit of the dynamic
range, making gentle parts stay the same, while "intrusive" parts get
softer. Such things.
Klas.
At 01:36 2007-04-13, you wrote:
>Klas Strandberg wrote:
> >Dan, if you should remake the Blyth's Warbler into a commercial CD
> >for car and small home stereos and so on - what would you do with it?
>
>Are you asking what would I do technically, or how it might be
>marketed? If the former, I can help.
>
>Regarding marketing, there's no profit in nature recording--or hardly
>any. Gordon Hempton and Bernie Krause manage to eke out a living from
>it, but when you visit a national park gift shop, the only CDs are
>new age music + nature sounds. Evidently the real thing doesn't sell
>well enough.
>
>-Dan Dugan
>
>
>"Microphones are not ears,
>Loudspeakers are not birds,
>A listening room is not nature."
>Klas Strandberg
>Yahoo! Groups Links
>
>
>
Telinga Microphones, Botarbo,
S-748 96 Tobo, Sweden.
Phone & fax int + 295 310 01
email:
website: www.telinga.com
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