At 19:01 2007-02-24, you wrote:
>Maybe the fact that individual recordings have been mixed together makes
>the whole soundscape sound artificial.
But that I am used to. I have heard lots of "backgrounds" created by
a number of mono recordings and echo and reverb and god knows what,
but never got this creepy feeling.
Perhaps it's intentional? Part of the Art?
Klas.
>Maybe Bernie's Niche Hypothesis could explain why.
>
>What I miss is the sense of space in the recording. Usually when I
>listen to nature recordings I immediately get the feeling of beeing at
>another place.
>
>This is not quite like that here. But maybe this is because I know how
>it came about.
>
>Apart from that the recordings themselves sound great!
>
>I think as a whole the idea of the show is brilliant.
>
>I would love to see the exhibition, but though I live on the right side
>of the pond my southern German home is too far away to just go to the
>North of England for the weekend.
>
>
>
>Volker
>
>
>
>Klas Strandberg schrieb:
>
> > Hi Geoff!
> >
> > I have to ask:
> >
> > I have listened only to Brada_4-03am. But I get VERY stressed! Why?
> > Have you made something to the time? Compressed?
> > It sounds as if everything is happening too fast, but I can't explain
> > it...!? It just doesn't make emotional sense....
> > Should I take a nap and try again tomorrow??
> >
> > Klas.
> >
> >
> >
> >
>
>
>
>
>
>"Microphones are not ears,
>Loudspeakers are not birds,
>A listening room is not nature."
>Klas Strandberg
>Yahoo! Groups Links
>
>
>
Telinga Microphones, Botarbo,
S-748 96 Tobo, Sweden.
Phone & fax int + 295 310 01
email:
website: www.telinga.com
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