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RE: Re: Uses of recordings

Subject: RE: Re: Uses of recordings
From: "Martyn Stewart" <>
Date: Wed, 7 Dec 2005 20:09:06 -0800
Or a long-eared owl in every country and every film in Hollywood!

Martyn

****************************************
Martyn Stewart
Bird and Animal Sounds Digitally Recorded at:
http://www.naturesound.org
Redmond. Washington. USA
N47.65543   W121.98428

e-mail: 
Tel:    425-898-0462

Make every Garden a wildlife Habitat!
*****************************************
-----Original Message-----
From: 
 On Behalf Of Kevin J. Colver
Sent: Wednesday, December 07, 2005 8:16 PM
To: 
Subject: Re: [Nature Recordists] Re: Uses of recordings

Yep,
It horrifies me almost every time I watch a nature video, popular 
movie, or TV show.  I can't believe how extensive is the spread of 
singing Hermit Thrushes throughout the world (yea right.)  Even 
prestigious productions such as "Nature" don't seem to get it right at 
times.  (Example: a documentary on wild horses in Montana had all the 
right bird species but they put them into the background in an autumn 
shot when the singing birds are nearly dead silent.)  It wouldn't take 
much for a nature sound consultant to help these people at least chose 
the right background sounds from their sound effects library to fudge 
with.  There doesn't seem to be much interest in getting right though.  
I appreciate you Richard for being one who is trying to get it right.

Kevin Colver



On Wednesday, December 7, 2005, at 08:17 AM, Richard Humphries wrote:

> I use the recordings that I have made in my work as a Sound Designer
> and Mixer for television. I work on a lot of documentaries, nature or
> otherwise, and I have a large collection of sounds I've recorded in
> addition to several of the major commercial sound effects libraries
> that I use to "sweeten" the soundtrack of the program.
>
> It would probably horrify most of you to find out what we do behind
> the scenes of a documentary, in terms of realism (though you probably
> already know). Unfortunately, these days, budgets and timelines have
> become ridiculously small, so we usually have to make do with whatever
> we have on hand. (I used to get two or three weeks to work on the
> sound for a 1 hour documentary. Now I get about 3 to 5 days!)
>
> I try to be as accurate as possible given the circumstances and I
> spend my free time recording sounds to help me in that effort.
>
> -Richard Humphries
>
>
>
>
>
>
> "Microphones are not ears,
> Loudspeakers are not birds,
> A listening room is not nature."
> Klas Strandberg
> Yahoo! Groups Links
>
>
>
>
>
>
> ---
> [This E-mail scanned for viruses by CSolutions.net]
>
>

---
[This E-mail scanned for viruses by CSolutions.net]




"Microphones are not ears,
Loudspeakers are not birds,
A listening room is not nature."
Klas Strandberg 
Yahoo! Groups Links



 






________________________________________________________________________
________________________________________________________________________


"Microphones are not ears,
Loudspeakers are not birds,
A listening room is not nature."
Klas Strandberg
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