As I used it, Melodyne was designed for adjusting performance (timing, enve=
lope, and pitch) of elements in a mix. Also investigate this company that i=
s specializing in extracting elements from a mix, http://audionamix.com.
-Dan
> On Mar 1, 2017, at 7:43 AM, Matt Rogalsky [naturereco=
rdists] <> wrote:
>
> Dear Bernie Krause
>
> I wondered if you could comment on the potential for Melodyne to allow ex=
traction of different distinct sound elements within a mono environmental r=
ecording.
>
> I am considering tackling a project that would be a surround mix from a m=
onophonic album released in the 1950s. Perhaps you would know it: =93A Day =
In Algonquin Park,=94 released in 1955 by William WH Gunn, the Canadian eco=
logist and field recordist.
>
> By the way, if you know about Gunn and his =92Sounds of Nature=92 LP seri=
es, I would be interested to learn your opinion of his work! My partner Lau=
ra J Cameron and I have a paper coming out in the journal =91Organised Soun=
d=92 that argues his position should be better known as part of the (pre-)h=
istory of soundscape composition.
>
> Thanks very much,
> Matt Rogalsky
>
>
>
>
> ------------------------------------
> Posted by: Matt Rogalsky <>
> ------------------------------------
>
> "While a picture is worth a thousand words, a
> sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause.
>
>
> ------------------------------------
>
> Yahoo Groups Links
>
>
>
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