<<I'm looking at quick release options for microphones in the field. I trie=
d
the On Stage brand quick releases, they seem to work themselves loose and
introduce noise to recordings.
Sound Guys, Triad Orbit, or Ambient Quick Lock systems seem to be the best
options. Does anyone have any experience with these?>>
I=92ve used the Atlas Sound LO-2B quick releases on all my stands & mics in=
my pro studio for at least 35 years, & never had issues. It appears the On=
Stage device is a clone of the Atlas, so you may not like this option. How=
ever On Stage makes generally cheaper, crappier versions of everything that=
others do better. The stuff from the film industry, whilst looking very ha=
rdy, also looks needlessly expensive, given the task.
sf
"While a picture is worth a thousand words, a
sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause.
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