Strict binaural, done with mics in ear canals of a dummy head, doesn't tran=
slate well to speakers. Big colorations.
Jecklin, SASS sound good on speakers or headphones. One-point techniques ar=
e fine on speakers, but on headphones I prefer having the time cues that co=
me from spaced mics. The advantages of one-point techniques (MS, XY) are mo=
no compatibility and easier handling of the mic in the field, at the cost o=
f losing a little realism in headphones.
-Dan
On Mar 4, 2014, at 10:29 AM, Luis do Carmo wrote:
> Besides the ones mentioned, you could try X/Y and M/S.
>
> Luis
>
>
> On Monday, March 3, 2014 10:31 AM, "" <=
st.net> wrote:
> I've been cautioned by professional sound men against using dummy heads i=
f I want a realistic stereo effect through speakers. It is absolutely awes=
ome for headphones, but my mentors say that through speakers you can get so=
me undesirable separations.
>
> There are other close-spaced microphone techniques that I need to experim=
ent more with... Jecklin disk, DIY SASS, others. People have great things =
to say about these other baffled techniques.
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