Oryoki
This is a good read. Thank you for posting it.
This part is very interesting: "In one scene, the gyro noise was too
disturbing, so we rerecorded the whole scene =96 but then, we found that
without the whining of the gyro, it was just not sounding right,' he
recalls. `So we only ADR'd one character, notched out the high-pitched
whine of the gyro to a manageable level and kept it in the scene =96 it
added a certain tension to it that both Danny and I liked. So a noise,
which I thought was disturbing during the shoot, actually came to be
of use to us."
Regards,
Tom
--- In "oryoki2000" <> wrote:
>
> This is mostly off-topic for nature recording, so skip if you don't
> care to read such material.
>
> A post on the RAMPS web site pointed me to a fascinating interview
> with Resul Pookutty, the sound engineer for the movie, "Slumdog
> Millionaire." This movie won the award as best drama at the recent
> Golden Globe Awards.
>
> The interview talks about the challenges posed by recording on
> location in India, and the need to innovate to solve unexpected
> problems. It's good reading for anyone interested in audio recording.
>
>
http://www.proaudio-central.com/index.php?option=3Dcom_content&view=3Dartic=
le&id=3D295
>
> --oryoki
>
"While a picture is worth a thousand words, a
sound is worth a thousand pictures." R. Murray Schafer via Bernie Krause
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