| Subject: | boundary stereo mic'ing techniques |
|---|---|
| From: | "Kim Cascone" |
| Date: | Wed May 3, 2006 10:41am(PDT) |
I have been experimenting with my Reactive Sound's Auris stereo mic and recorded some interesting ambiances in various places while on a recent tour in Europe... I found that when placing the mics against a flat surface (i.e., wall or glass) I got a pronounced spatial enhancement via a boundary effect... can someone point me towards any papers or info online that explains using this mic'ing technique in stereo location recording... and has anyone else experimented with this technique and found the stereo stage sounds more pleasing than A/B or X/Y stereo recording patterns? curious... |
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