Here's one starting place: http://www.acousticecology.org/ocean.html check "ocean noise reports" -jeremiah _ _ _ _ x _ _ _ _ _ _ high inga oved to d" y I ain. ng a or one hear mp. it. 't ct h ut y. s
I don't know if this is the correct method of sending my question but here = goes I am interested in getting information regarding the effects of man-made no= ise on fish. I have developed a list of
without doubt you should look at the omnimics sold by Microphone Madness -= they are amazing for the price if one is on a tight budget. The BBC use th= em for example & we use some on the location s
Hi Arwen, Maybe there is a way to make the built-in mics on the PCM-M10 work for you = until you find something that meets all of your minimum requirements. If yo= u can find an affordable parabolic
Nice addition. 4 oz. and 5.5" long. Thanks! Rob D. =3D =3D =3D -- Rob Danielson Film Department University of Wisconsin-Milwaukee _____________________________________________________________________
Rob, I have another addition: Audio Technica AT3032 16 dBA 19.9 mV/Pa It's notable in being lower noise than any of the other low-cost microphones (excepting the large-diaphragm types), and is availa
gain. http://www.birds.cornell.edu/MacaulayLibrary/contribute/equipmentOverview.ht stopped at minidisk or noise. not settings. ________________________________________________________________________
Hello all I have been lurking and reading for quite some time and am VERY new at this= and have a VERY limited budget. I am forced to use free or inexpensive edi= ting and analytical software program
Best suggestion is to stay with them, John, at all hours. Sometimes the shrimp let up a little and the propeller cavitation noise from boaters quits long enough for one to capture the sounds of the m
There's also an issue with the complex "comb filtering" created by reflections inside the dish which seems to be less with cardioids than omnis. If the focus/microphone is inside the edge of the para
Unfortunately, I think not. How about two cardioids in separate, big, parabolic dishes with an adjustable parallax for stereo? Rob D. -- Rob Danielson Peck School of the Arts Department of Film Unive
Sadly, in my experience, the H2's external mic input is considerably noisier than the internal mics are. For quiet subjects, I can recommend the H2 only for use with its internal mics. Zoom is about
Quite a few pocket recorders, the H2 being one, are best-suited for recording robust sounds like music, close mic'd voice. loud settings and loud effects. Yes, when one increases the gain, the self-n
correct, but cardioids are much more sensitive to handling and wind noise. Klas. Telinga Microphones, Botarbo, S-748 96 Tobo, Sweden. Phone & fax int + 295 310 01 email: telinga@bahnhof.se website: w
I;d like to add to Ambrose' list: Firstly, at the bottom end of the price range there are the Sound Professionals SP-TFB-2 http://www.soundprofessionals.com/cgi-bin/gold/item/SP-TFB-2 These are about
One way of looking at what Walt says is that, if you can afford a good mic, then you should buy a good mic. And if you can't then you investigate less pricy alternatives. Good omnis like the Schoeps
Hi BillRe: http://www.soundprofessionals.com/cgi-bin/gold/category.cgi?item=3DSP-PREAM= P Pre -117 dBu (unweighted) =3D -122 dBu (A weighted) ME-66 [10dB(A) and 50mV/Pa] Sennheiser ME66 mic computes
r d Hi Derek, Let me start by saying that I haven't heard any of the mics that you you m= ention... However , I've done a lot of research into what i would like to buy if i ha= d the money. Hands dow
http://hydrophones.blogspot.com/ http://www.wildeye.co.uk/reflectors.html I have been tinkering with one of these and they are definitely an option i= f you want a lower cost and customisable solutio
Quoting from the Sound Professionals product description of the 9V preamp that goes for $179.00 " Signal to noise ratio: 117 dBu EIN unweighted (quieter than builtin Walkman preamps) ". Rob, I am unc