2-NT1A's -> Rolls PB224 (its stereo) -> HiMD's Mic input. Use standard xlr mic cables between the mics and the Rolls. I've been using the small diameter Mogami lavaliere mic cable. Its lighter weight
It sounds like this would be the type of setup I want. Does anyone have a photo of this type of setup? I want to know: 1. How does 2 mics go into a rolls pb224 and have it routed to 1 output for my H
Hi-- As Danny suggests, first try your condenser mic(s) on the supplied MT's phantom power using the 1/4" TRS mic jacks. Might need to make up some cables. If the phantom powering is inadequate, you
Sonia, The Hi-MD recorder will do a fine job as a field recorder. All Hi-MD recorders have the same preamp and recording mechanism, so you could save money by buying the MZ-RH910 (about $165 at www.b
The Shure 183 mics will run from the power provided through the HiMD's 1/8" stereo mini mic jack (called Power In Plug or "PIP"). No Rolls PB244 is needed for these mics (although Curt Olson might ha
Robin-- Slow to surface possibly because few, if any, very low input noise recorders have both Phantom Power and a 3.5mm (1/8") mic input. Might require something like the below gear in a quiet setti
Robin-- Slow to surface possibly because few, if any, very low input noise recorders have both Phantom Power and a 3.5mm (1/8") mic input. Might require something like the below gear in a quiet setti
The 183s run on "plug-in-power" that the MiniDisc recorder supplies; you don't need a phantom power supply. That's exactly what you need, a Y-adaptor from two female TA4s to a stereo mini. The cable
I am looking at buying a Sony MZ-RH10, thanks to advice from this group. I am also looking at getting the popular WL183 mics. While the specs on the 183 look great getting it to work with the RH10 se
that is EXACTLY what I'm looking for... I still can't get over how large the FR-2 LE is, when you (try to) hold it in your hand. They could rule the market if it were half the size (or even 2/3rds) a